THEE GOOCHI BOIZ
"Fast Food for the Teenage Soul"
(Burger Records)


Thee Goochi Boiz is the side/solo project of Francis Carr, (actually this band is a trio, who each contributes equally -editor) more notably known as the (often)lead guitarist of Happy Jawbone Family Band and writer of such hits as “Don’t Play Ding Dong Ditch With My Heart” and “Junk Pop”. This is the second album from Thee Goochi Boiz.

“Fast Food for the Teenage Soul” delivers exactly what it promises,. However, it does carry the one stipulation that the aforementioned teenager got heavy into mixing Ritalin and Nitrous while working at the local Sunglass Hut, stunting their brain development so while they may be somewhere in the their early 20s and their thoughts have become more complex, they still pine over the girl who rejected them as a prom date while publicly and eagerly bragging about having gone to see a Kevin Smith movie instead. This album succinctly expresses that dire, soul-deep need for ‘Fast Food’ for purposes of nostalgia, instant gratification, ignorance of nutrition and anything good in the world, and because they still work at Sunglass Hut.

To say that this album fits squarely between just about every cross-section of punk rock history would be an understatement. This is no rectangle, it’s a DODECAHEDRON! Within the confines of these seventeen and a half minutes, you’ll find everything one could hope for in a Punk cassette, including a 56-second ditty about Vietnam and a disappearing/reappearing British accent. Side A (the better of the "Sides" in my opinion) features the melody driven sounds reminiscent of British groups like The Damned or The Undertones, complete with humming organ, addictively crunchy guitar licks, and well placed clapping. You’ll also get the juvenile restlessness of the Ramones or the Buzzcocks. You’ll get the amelodic chaos of The Germs or Negative Approach.

You’ll find lethargic anthems of self-loathing like “Why You Gotta Be Mean To Me” and “Everything I Do is Wrong”, (giving nods to short-form pop maestros like Robert Pollard or The Memories) alongside driving and barking tunes that seem just a few pivotal chord changes away from being Naked Raygun songs, if Naked Raygun were a better band. (NOTE: I attribute this difference to the increase in marijuana potency over the past three decades). Also, it sounds a lot like the Black Lips so definitely check it out if you’re into the Black Lips. I am.

http://goochiboiz.bandcamp.com/

--Travis Long