(Let's just pretend we all took August off on purpose, okay?) Jason Crumer has been getting some hype these days, based on the noise com...

So these are two people I've played and toured with a lot in Realicide, but you know there aren't that many tapes I like listening t...

Leo gave me this when we were in Richmond last month. Among all the comedic burn-out psycho-dayglo paper-rad-clad noise of their Church Of C...

This is a pretty sick grindcore tape I got up in Minneapolis. There seem to be some really awesome bands like this up there right now; we pl...

This tape is utterly unlistenable. But in the spirit of noisecore, in its eternal mission to smash all music into obilivion, I guess this ma...

Another mysterious Belgian release from the vaults of jelle crama, presumably on his prolific but secret, often unlabeled, multilingual, imp...

The recent minor buzz surrounding Rale in the DIY noise community isn't necessarily surprising when aesthetics are considered. With ever...

Picked this tape up @ Armageddon Records in Providence about a month ago while in town for a show. This release, volume 12, in the Kites m...

Grown men imitating cats probably sounds like a terrible idea for a powerful rock band. Well, Kinit Her are here to defy the odds. Falsetto ...

I got this tape recently from Skot (aka Id M Theftable ) when i was raiding his tape merch, didn't get any info from him, but from the l...

This short split tape between COW (Change Of Women) and Human Adult Band is a really great match up of approaches. I had seen Human Adult...

Somehow this recent slab sent in from Seagull's Michael Piercey became unfairly buried in the "already reviewed" pile and so d...

Awesome hardcore punk in just about every way. The riffs are catchy but not poppy. The vocal is strenuous and very human; totally youthful. ...

From a murk that threatens to be the tedium of yet another drone-sludge release emerges fantastic and masterful rock music. With no-referen...

A special brand of legitimacy is bestowed upon Noise artists who do not use pseudonyms. They get to do fancy shows funded by arts councils....

West Mass power trio return from a nebulous hiatus to bludgeon out a punishing pair of half-hour tapes of classic free drum/noise in the hal...

I confess: I was a bit worried when I saw that the B side of this CS was titled "Goodbye Booze/Hello'weed Night," because joke...

I'm fucking floored that after this many years of non-stop music-making Christina Carter can still sit down in a wooden chair, put her h...

Lieven Martens has been oozing creative weirdnesses into the ether since before the day I first learned what a CDR was. His Imvated label wa...

Seeming to come from the mind of 13 year old boy, Paid In Puke is actually one New Jersey lady C. Lavender. Fitting in well with the Radio S...

Jeff Witscher's Iowa relocation-evolution continues to deepen and intensify with each and every new CS, and although this one says it wa...

Plankton Wat is Dewey from Eternal Tapestry's solo guise where he sits in a chair, oils up his wah pedal, and goes to fucking town. Tota...

Scumbag Relations sticks so rigorously to its scum electronics cage one can't help but applaud it. Since the very first tape dubbed its ...