Cassette Gods

CAVE CURSE “Future Dust” (Rare Plant)

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Oh my – these eardrums have responded admirably to a wider array of sonic shrapnel than perhaps the average person, but Cave Curse is puttin...

STURQEN / vÄäristymä “Atonia” C60 (Nervu)

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Unpredictability. Couldn’t have said that better myself, Nervu promo copy, and if there’s one thing that’s unpredictable about me, it’s the ...

SUGAR PILLS BONE
"Slack Babbath Plays Peep Durple"
(Orb Tape)

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I am not sure if I am being trolled or not. This release might qualify as the most experimental album ever. So theres no Black Sabbath...

BANZAI CLIFF
“Hypothetical Love”
(Tank Beach Tapes)

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Why is it that Banzai Cliff makes SO MUCH sense? I mean, seriously, it’s easy for me to turn off a tape, especially one based somehow in roc...

DAS “Feinted Haunts” (Close/Far)

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Look DAS, I get it. I, too, was a freaky “X-Files” fan, which I’m assuming you are, because nobody who’s not an “X-Files” fan says this abou...

NEONDEMON “Six Songs” (Death Boutique)

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It’s spelled backwards on the tape, how is it pronounced? Nowednoen? No, it’s NEONDEMON from a vanity micro-label based in Sydney, Austra...

SLUSH "Frog Water" (Personal Militia)

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Slush is a Garage Rock band from Milwaukee, Wisconsin. Their, as far as I can tell, debut album; Frog Water combines several styles lik...

Happy Memorial Day

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QUITTER “Quitter” (Death Collective)

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Nobody likes a quitter. You either finish what you start, or you get the hell out of here, mister! That’s what my grandpappy always used to ...

THE MYRIAD ONES “The Hardest Part” C37 (Already Dead Tapes)

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[Yanks door open, slamming it against the wall, nearly ripping it off its hinges] What’s going on here?! This Bob Bucko joint is NOT experim...

HOT SNAKES "Jericho Sirens" (SubPop)

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I feel like it was not too long ago, that I read that Hot Snakes are in the studio. While I was very excited I was also a bit weary. Whil...

COMPS “self-titled”
(Escape from Party Island)

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Breezy like Archer Prewitt or Real Estate or maybe Car Seat Headrest, COMPs, formerly Compliment City (aw, I like that one), is Geoffrey ...

OHM “G5” C50
(Dinzu Artefacts)

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I’ve been sitting on this chair in this museum for what seems like hours, and I think everyone has gone home except for Ohm, the Dutch trio...

UNITED POWER SOUL
“Moving Fast 4 U”
(Zaftig Records)

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Hey, they have soul and funk music in Toronto? Who knew! I always assumed everything coming out of Canada was in some way connected to the N...

GERMAN ARMY
“Blue Green Depth”
(III Arms)

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You can’t read this -- it's a redacted document. Let’s pretend you didn’t even see it on my desk. I have to get it down to Archives b...

NEON LIES “II” (Black Verb Records)

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Just in time for the new cold war (is that what it is?) comes Neon Lies on Berlin-based Black Verb Records. Chilly synthpunk meets … well, i...

DIRECTIVES
“Usphutorontus Deius Nissesubla”
C60 (Aubjects)

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Oh my god, Aubjects does it again. Aubjects is always doing it, apparently, and “Usphutorontus Deius Nissesubla” (“I know not what it means,...

CRASH SILVERBACK AND MAX MUTHAPHUKIN’ STAX
“Candy & Coombs” (Hand’Solo)

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I just discovered the Rock the Bells radio station on Sirius in my car, so it’s been pretty exciting getting reacquainted with all the c...

ASPS “s/t” 2xC24 (Nostorca)

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Ballsy move there, ASPS, going the “ Foghat Principle ” route with the double live tape. Well, if “live at the lake June 2017” is your “ At ...

GRISHA SHAKHNES “ARCS” (Marginal Frequency)

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Tel Aviv artist Grisha Shakhnes specializes in field recordings, and “ARCS” delivers the goods like a clandestine briefcase swap in a darken...

CRISTIÁN ALVEAR Y SANTIAGO ASTABURUAGA
“capas de un tapiz” C55
(Marginal Frequency)

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To understand: Cristián Alvear and Santiago Astaburuaga are a Chilean duo who perform here the works of Rolando Hernández (side A, “topializ...

SOMNOROASE PASARELE "Auto[1]"
(Os Tres Amigos)

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In the hills of Oakland, Pauline Oliveros's frogs still reign supreme, still rain down their psychedelic exhortations to the burning ...

THE MIDNIGHT VEIN “s/t” (self-released)

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I was really excited when I read that John Agnello had mastered this bad boy – I was hella ready for some throwback Jawbox-y shit, I truly w...
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