I've really been digging on SUT's last few releases, and this one only continues my obsession with this fantastic label.Tongue and Teeth are a young band from Copenhagen, and they make quite an eclectic brand of noise.This thing is pounding, confrontational and overtly brash from the very first note.It's vaguely familiar, and yet totally fresh, with more than a few nods to Penis Envy era Crass, and your favorite Riot Grrrl bands, only a bit weirder, as it teeters on post-punk's deep grooves and no wave's clever absurdity.The powerful female vocal attack is equal parts pissed and woozy, as the words just seem to spill out of her mouth quite effortlessly, creating heaps of unexpected, and possibly accidental vocal hooks.The rhythm section is loose and jagged, sounding like they could fall apart at any second, but never quite get there.Funky, crawling bass lines slither throughout tight and rigid guitar scratching, and the dizzying drum patterns are hanging on by a thread.It all seems to work out very well for them.T&T's timing falls somewhere between flawless execution and pure luck, sounding air tight and improvised all at once, and it makes for a very interesting contrast.Their stumbling, yet witty sound isn't so different from The Fall, or more recent post-punks Divorce, but it's hard to pin them to any one genre.They are doing wondrous things to your quiet, and I will definitely be keeping my eye on this band.Edition on 100.Get one from Skrot Up.
TONGUE AND TEETH "What Have We Done To Your Quiet?" c30 (Skrot Up)
I've really been digging on SUT's last few releases, and this one only continues my obsession with this fantastic label.Tongue and Teeth are a young band from Copenhagen, and they make quite an eclectic brand of noise.This thing is pounding, confrontational and overtly brash from the very first note.It's vaguely familiar, and yet totally fresh, with more than a few nods to Penis Envy era Crass, and your favorite Riot Grrrl bands, only a bit weirder, as it teeters on post-punk's deep grooves and no wave's clever absurdity.The powerful female vocal attack is equal parts pissed and woozy, as the words just seem to spill out of her mouth quite effortlessly, creating heaps of unexpected, and possibly accidental vocal hooks.The rhythm section is loose and jagged, sounding like they could fall apart at any second, but never quite get there.Funky, crawling bass lines slither throughout tight and rigid guitar scratching, and the dizzying drum patterns are hanging on by a thread.It all seems to work out very well for them.T&T's timing falls somewhere between flawless execution and pure luck, sounding air tight and improvised all at once, and it makes for a very interesting contrast.Their stumbling, yet witty sound isn't so different from The Fall, or more recent post-punks Divorce, but it's hard to pin them to any one genre.They are doing wondrous things to your quiet, and I will definitely be keeping my eye on this band.Edition on 100.Get one from Skrot Up.