Showing posts with label Dan Lurie. Show all posts
Showing posts with label Dan Lurie. Show all posts

DAN LURIE
“Several New Things Under The Sun”
(Velvet Fallopian Tube Records)




I never see people whistling while they walk down the street. Or while they work for that matter. Me? I sing to myself sometime in public. In the car or at home I might even sing out loud. You might wonder why I’m going on about this. Well, here’s why…

What does it take to get you to sing a song, or sing along, or hum even? Most of the tapes I review are of the experimental, electronic variety. Many of them are very good, all are worthy of my complete attention. But not many get me singing or humming.

Dan Lorie is an exception. His off-beat, sometime psychedelic pop could be folk music, but it isn’t. It could be and sometimes is outsider music. But only occasionally. Truth is he’s all over the place but the common theme is his ability to sneak a hook in every so often.

Take “Smothered and Covered” for instance. Great song, easy to remember and very catchy. Very. Same but even more so is “Lonesome Creek” which may be the best song on this collection. Side two is a little looser with some verbal intros and, I swear, some banjo even and closing with a track titled “Timothy Smith” which, best I can tell, never utters that name once.

Dan gets some help along the way. In addition to his vocals, guitar, keys and beats; he he ably assisted by Daniel Dominic Maneini (drums, keys), Vanessa Rehder (vocals), Jess Abel (bass), Garrett Burt (guitar), Randall Payton (guitar, banjo, dobro, suitcase), Aaron Semer (guitar, vocals) and of course, Bianea (cat).

I’m hesitant to label this as pop or rock or folk, but it’s all that and more and sometimes less. It’s a good tape, well recorded and produced and comes with a j-card chalk full of credits and artwork. I really, really like this and play it frequently. And yeah, I hum “Lonesome Creek” in my car.


https://danlurie.bandcamp.com


-- Robert Richmond

DAN LURIE "Postcard Club"


Somehow this romantic love letter to the Gods of Rock and Roll skipped past my earbuds at first listen. I believe it was my acquirement of a refurbished cassette deck, an upgrade from my Radioshack Walkman, that made me listen to this release in a different way. Also, I must admit I have a prejudice towards the stereotyped genre of "douchebag with an acoustic guitar", which is very unfair. It's just when a guy like Lurie comes around and croons his heart melting Americana lyrics about unrequited love and the natural beauty of changing seasons like a BOSS, it can be intimidating. This guy is LEAGUES ahead of a lot of rock bands I've listened to when it comes to leaving an emotional impact in the heart of his audience, and he does it with an xylophone, bro! Here at guitar Gods, I mean Cassette Gods (which brings me to another point, Garrett Burt, the guitarist on this, can shred!), we're used to songs about drugs or just reverberated gobble-dee-gook, not heart to hearts! I'm gonza cry here...

Lurie is a natural narrator who understands how to tell a story through song. He understands restraint, volume and how to make dramatic sonic entrances and exits. His modest folk songs crescendo with loose electric guitar solos, banjos, mandolins, lap steel, synth, piano and glockenspiel klinks.

I hear the CARS (for real, some of these guitar solos are that epic!), Real Estate, a lil early Magnetic Fields, Sea & Cake, early Belle & Sebastian, but all those bands just taken down a hair with an acoustic guitar as the centerpiece.

A very well orchestrated album of contemporary folk rock. And guess what, you can listen to it FREE HERE --->
www.danlurie.bandcamp.com/album/postcard-club
Dan's website is here ----> www.danluriemusic.com

--Jack Turnbull