EARN: “Away” c20 (Ekhein)

Earn is the new(er) identity of Matt Sullivan, also known to many as the hyper-harsh Privy Seals, and it finds him casting a comparatively gentle spell on his six-string to ring loud and ring proud, with a couple of tape samples trailing to boot. After a brief introduction, he delves right into “Wax Man”, which almost reminds me of a crisper Skaters recording as he drums on the guitar, creating a back-beat for his fingers to skip around. This is quickly followed by “Running on Soft Feet”, a super glitter sound that will really lull you into your comfort zone and get your serotonin flowin’, perfect to relax to on a hot summer night. Side B has another quick introduction, then completes with the title track, which (I think) is a general display of his chops, definitely most closely resembles what I saw him do live. The whole thing is a real pleasure to listen to, calming, drifting echoes, but it really hits you differently at the end when it fades into a sort of television static with strange “Poltergeist”-like sounds over it, almost gives what you heard a bit of a twist, leaves a new, eerie disposition in your mouth. Was that a spoiler? My apologies. Anyway, great melodic ambience at a perfect length by a real sweet guy.

I only more recently heard about Sullivan’s Ekhein label, but he’s putting out some really killer stuff by himself and others and, although he doesn’t have a website, his wares are readily available online if you look around.

http://www.discogs.com/label/Ekhein

MONSTURO "S/T" c20 (Ekhein)

Super mystery. I'm not sure where i got this tape and i can't find much about either the label (which looks good!) or the band on line, Monsturo does have a webpage but as you'd expect, pretty limited info.

The tape has solid black xerox labels on both sides with only the label name on them. My favorite thing about heavy coverage like that is the toner doesn't really fuse well, it starts to rub off slightly depending on usage and contact and it gives it a really charred look that i love.

This tape feels and listens just about the same, ultra bleek & minimal with limited distinguishing marks. Total sensory deprivation. Both sides have that aftershock feel walking through some subterranean void with no light. One point worth making is despite being so distant it doesn't have a heavy tape hiss to it which is actually nice, it gives the sounds a lot more depth despite feeling so distant.

Definitely a nice piece of work.
black and white packaging, not much more information.

still available from the artist:
http://www.monsturo.org/

PRIVY SEALS "Means Nothing" (Ekhein)

This tape, released in a very limited quantity for his east coast tour with God Willing and Work/Death, is, in my opinion, the best work we have yet heard from Matt Sullivan's Privy Seals project. Except for perhaps, "Tacit," the infamous double c30, whose tapes were designed to be played at the same time on two different cassette decks, this best represents Sullivan's dedication to recording as a practice separate from playing live. Most noise producers churn out tape after tape of music that is, essentially, identical to what you might hear if you were to see them perform. There's nothing necessarily wrong with that, and there's a lot of skill required in producing live what one produces in their bedroom under "ideal" conditions. However, it takes a certain artistic seriousness to carefully examine what methods work in each context and what a person can expect from their audience at a show and from their audience at home in front of their stereo. "Means Nothing" is much more patient than a Privy Seals performance. It contains no screaming or choking or gear throwing. Each side is a long, slowly changing crumble. Far from harsh, yet it is not without its tense aggression. It sounds almost like a small avalanche that lasts forty minutes. A flat landscape, burnt black by some mysterious disaster-- the aftermath of Harsh Noise.

CLIMAX DENIAL "Bodies Broken By The Weight Of Time" (Ekhein)

I never really understood Climax Denial before. I thought the way he switched styles all over the same tape made it seem as if he was dabbling, so that none of his work (in any style) was at all convincing-- you know, kinda like Ween, or something. I figured that his popularity had something to do with people's interest in his extra-musical themes, his cassette art, web presence, track-titling schemes. Climax Denial has synthesized the early Merzbow/Haters sexual fetish aesthetic with the unforgivable misogyny of Power Electronics, and, somehow, the pathos and male-as-lonely-victim themes of Pedestrian Deposit, Impregnable, etc. And then there's the whole foot-fetish thing, right? Well I'm not going to say that all that isn't compelling, but until I heard this tape, I was pretty sure it didn't make for a compelling listen. However, "Bodies Broken By The Weight Of Time" is a very good release, especially considering the potential for disaster-- it's a c50! On side A, Climax Denial begins with a spooky horror-movie doom track. It's slow and cavernous and very satisfying. The second track (and normally I'm totally against multiple tracks per tape side) begins as a wall that eventually evolves (devolves?) into a pretty believable Power Electronics piece, complete with ridiculous vocals. Side B is an incredibly patient wall-ish track that creeps along through several different areas of sound. It's like watching the hour hand on a clock move for twenty-five minutes. Fucking awesome.