Showing posts with label Ryoko Akama. Show all posts
Showing posts with label Ryoko Akama. Show all posts

RYOKO AKAMA / ANNE F - JACQUES “Evaporation” C45 (Notice Recordings)


“Evaporation" is two 20+ min live collaborations between Ryoko Akama and Anne F-Jacques, two merciless, nuance-worshipping, psycho/electro-acousticians/sonic-sadists that probably hold your cilia and mental well being in possibly maybe likely less than the highest regard. 


Through their homemade, contact mic’d devices*, RA/AFJ explore** the merits of inducing temporary tinnitus-led panic attacks and bump-in-the-night scurryings and carvings with such a mix of patience and furious battering that it’s very much not recommended to listen to this within 4 hours of (attempting of) going to sleep, as the nervous system is gonna be rendered S-H-O-T by the end of track 1’s trebly terrorizings. 


Luckily, side B is (relatively) lower in pitch, attack, beatings-per-minute, & shrill feedback… but, in its place is buried a labored breath rendered by lungless reverberations that is just as deceptively discomfiting as anything else you've ever never wanted to hear coming from a closet in the middle of the night.


In short, this’d make for one HELLUVA Halloween*** soundtrack, despite having not having “Horror" anywhere on the agenda.


https://noticerecordings.bandcamp.com/album/evaporation

and/or

https://ryokoakama.com/

https://anne-fff.tumblr.com/


—Jacob An Kittenplan


*some appearing to have voltage added for extra oomph/brutality. Check the enclosed snapshots of a few of them to get an idear!

**with much chemistry

***or April Fool’s joke/revenge

ANNE-F JACQUES, RYOKO AKAMA, TAKAMITSU OHTA “The Magic City” C40 (Hasana Editions)


“The Magic City” is a quiet place, so you’ll have to tune your ear to it, squint at it in with your ear to get the full effect. Anne-F Jacques, Ryoko Akama, and Takamitsu Ohta compose with “found objects and mundane artifacts,” and the result is a disorienting head trip. This full-on musique concrète fantasy follows “Chris” and “Holly” in the “Magic City” and the “City Magic” respectively, but it’s not clear what the difference is. What is clear is that this cross-cultural project – California, the UK, and Japan, respectively – is a labor of love, with each artist imposing an intense vision onto the proceedings. Edition of 100 from Hasana Editions (Bandung, Indonesia).



--Ryan