Inaugural outing by Rob’s 10-years-coming LA label, Big Monies, is a purple C10 of classic TIK///TIK atari teenage rioting: crunchy digital shred pulverized by choppy sprinklers, mixer rocket launching, and aimless voice fragments. It’s easy to picture a monochromatically-clad Cano thrashing around on the ground to this sound. The B side has more of his Deathbomb dance music attack/approach, a numbly pulsing beat buried under waves of looping nasal talk/yelling (Erin Allen style). The closer, “Grandmess Up Close,” is a storm of overlapping air raid chaos, UFO buzzing, and robot explosions that works like an energy drink on the ears. My only question: what’s a “skars”?
