Side A: With sustain pedal to the metal, Bryce Hackford patiently plots & plods a select few sentimental grand piano chords with minimalist-mantric repetition, creating a hollow peace within that is uneasy and inevitable.
Side B: Metronomic deep bass pulses around a lonesome, keyless chord. With no other subtext, its erratic cries ring out, untethered to any major or minor constraint, even when a low drone surfaces and recedes. Despite superficial tranquility, the gestalt yield is again uneasy & inevitable, leaving us looking, and feeling, “off”.
https://brycehackford.bandcamp.com/album/looking-off
and/or
https://www.perfectwave.org/
--Jacob An Kittenplan