Showing posts with label Grabbing Clouds Records. Show all posts
Showing posts with label Grabbing Clouds Records. Show all posts

LIFE EDUCATION
"Acid Owl" C44
(Grabbing Clouds Records & Tapes)




Patrick R. Pärk (aka Kösmonauten) may very well Dream tangentially Tangerinian on the nightly, but his Life Education project finds him letting in a little room for 3 or so monkish Spacepersons to (spiritually) jam out an internal centering, eschewing the asteroid-wayward, cosmic narrative for a celebration of microcosmic breaths, in and out, of mind; the effect is a molasses-slow’d interpretation of ritualistic spacecult communion

Perfect for all times not including “work hours”, Acid Owl lays the groundwork for pulling the ground, and work, out of today, leaving, instead, a seaweed-swaying sense of time and connection to the Great Pulse, which, for me, has inspired increased productivity in my personal pursuits. Take all I say with a grain of salt, but I’m fairly sure that if you give this album in its entirety two loud plays, you’ll find yourself wanting to either Get Shit Done (artistically) or simply feel a little more calm, without necessarily feeling “dulled”. Check it out via the link below, with good headphones or bass-heavy speakers. ☺

https://life-education.bandcamp.com/album/acid-owl
and
https://grabbingclouds.bandcamp.com/

-- Jacob An Kittenplan

HIGH SUNN
"Natural Instinct"
(Grabbing Clouds Records)




As soon as the first song on this album was over, I thought to myself, "either this band is from California, or they desperately want to be." Sure enough, they're from San Francisco. This album just has that smooth, dreamy sound with a little surf and jangle that all bands from California seem to have.

As I read on about High Sunn, I discovered that it's actually a one man project. His name is Justin Cheromiah. Not only is it a one man project, but he's only 16 years old. So Justin if you're reading this, I would just like to say that I am truly from the bottom of my heart jealous. I wish I had this kind of talent and songwriting ability at the age of 16.

This album sounds like summer. It sounds like sunshine. It sounds like wind in your hair. It sounds like the summer in your teenage years that you spent at the beach with that one girl that you never forgot. Whatever you wanna call this album, I want more of it. 

So if the weather's nice, put the windows down and let High Sunn take your mind off your problems for a while.

https://highsunn.bandcamp.com

-- Garrett Douglas

STRAWBERRY JACUZZI “Love Is For Suckers” (Grabbing Clouds)



Shannon Candy, Devon Press, Ross Tasch, and Nikita Word makeup Strawberry Jacuzzi from Chicago, Illinois. Their full length attempt, Love Is For Suckers demonstrates the variation of instruments they all fiddle around with.

Strawberry Jacuzzi have their own identity in making surprising pop tunes, showing individuality in every tune.They take a different approach on the track, French Girl, tinkering with the French language and infusing it to the hook. This album contains bold lyrics as well as an audacious, slight sass that nearly sounds like you’re giving lip to your parents. Furthermore, the second half of this record is absolute on its garage rock components. On the way to the last track of the LP, it is put to an end with the whole band chanting an acoustic ballad.

Grab your spray painted cassette from Grabbing Clouds and a free, digital download is available as well.

http://strawberryjacuzzi.bandcamp.com/album/love-is-for-suckers
https://grabbingclouds.bandcamp.com
http://grabbingclouds.bigcartel.com


-- Jesus Perez

THEE DANG DANGS "For the People" (Grabbing Clouds Records)



On psych-rock band Thee Dang Dangs bandcamp website is this little manifesto:

"This album is for us. We are the people. It is for those who will listen. For the ones detached from genre boxes, the critics, and the press. For the ones with passion, able to shut out the incessant chatter and dissension of the complacent. The complacent who say your creation isn't as it should be. Who are they to dictate how the beauties of ones mind manifest themselves. We speak now or never speak again. This is the creation of the depth of soul, being, and existence. For without creation we are but mindless animals. Beings without meaning. This is for the people. This is for us."

If this is you, why are you reading this sentence right now? Importante: go no further, read no more. I'm serious. Nobody ought to steal anybody's thunder, least of all a squishbucket like me.
Anyway, it's not for me.

Sometimes it's okay that a sound is not new, or you know, that a musical project is exploring old territory. But when I'm listening and what I'm feeling the most is the emptiness of the re-presentation of these old tired gestures...that ain't good. A lot of well-composed and well-structured familiar psych riffage and surf twang, cleanly nicely presented in much the same way it always is on television. I guess I struggle not to be extremely turned off by the sensation that I'm listening to someone TRYING to do something that they've heard a zillion times, exactly the way that they've heard it. I really do believe that there's a victory in there, you know, "just do what you like to do and fuck those who don't like it." Yeah! But this music IS being presented to me, this band is tweetin all of its band-related activities, and immediately following that lil bandcamp manifesto is a long list of this band's good publicity. I'm trying not to be so eager to the asshole lecturing anybody about their artistic ideals, but maybe the shallowness of this ideal here is what I'm disliking in their music. Music that makes a promise that it will make you feel more freedom and, shaking the dead ass of this promise in your face, only ends up putting you further in your idle, arrogant, cloistered place. (Or is that just the job of the critic?)

In the attempt to shelve both my infinite relativism and pompous stubborn shitty disillusionment, there are a couple really catchy spots here and there! The production is way more polished than I like, sounds like it might truly end up in a jeans commercial, and again, they just doesn't do psych-rock like they used to.

I believe that my biggest problem with it is that it seems like a cowardly approach to this form. All these clean, tried and 'true', safe decisions. I want that dirty shit. But it's...nice! They are smart musicians! Important to me is that I doubt I could do any better at exploring this aesthetic, and the idea of trying does entice me! And some of these songs almost start to get me feeling like I could pop this tape in my 1972 Chevy Nova and cruise through outer Los Angeles lookin for alien eggs, but I'm sitting here looking out into the night through my window, and if I'm comparing the two, please just send me into that smoky night. I'll get to many much more cosmic places. I don't need it!

https://theedangdangs.bandcamp.com/album/for-the-people

-- Devin Brown