Showing posts with label MASON MERCER. Show all posts
Showing posts with label MASON MERCER. Show all posts

MASON MERCER “Slobber” (Self Released)



Bedroom pop fans rejoice! There is another artist with a home recording studio worthy of your attention. Mason Mercer, covered on this blog earlier in the year, is a straight edged Christian from New York. According to his bandcamp, he put a year and a half worth of work into “Slobber”. It doesn’t get much more bedroom pop than being a multi-instrumentalist who made the whole thing in his Brooklyn bedroom. The whole thing is very well done and doesn’t sound lo-fi at all. The tape was mastered by another person in somewhere that wasn’t a bedroom so that probably explains why. The instrumentation is good and the production is even better. The only thing I wasn’t digging were the vocals. Not his fault but I found his voice annoying. I was still able to enjoy the tape for its other qualities that I found redeeming.

Besides the cassette, you also get a lyrics sheet/poster and a mini photo of a man’s body. Please note: apparently there is an alternative cover version for sale as well that has an old man on it. Mine copy is pictured and as you can see I got the originally one which features a boy. I don’t know what the hell is going on in either picture but quite honestly neither are particularly great choices.



-- Roy Blumenfeld

MASON MERCER “God’s Creatures” C15 (God’s Creatures Records)



Sometimes you get a hankering for some lo-fi experimental indie folk, don’t you? You’re sitting there, eating lunch, drinking from your grape juice box, and then you’re like, “Hey, where the heck did I put all my tapes? The ones that I made on my Tascam. Let’s master those!”

Mason Mercer has a knack for making the studio, or “studio” depending on where he actually did the recording, work to his advantage, piling on all kinds of effects that mask the basic guitar-and-vocal tracks underneath. He’s pretty inventive, and on God’s Creatures he pushes his limitations to their logical extremes. It’s a bit Sebadoh (with Loewenstein at the helm), a bit early Beck (without the rap), a bit Animal Collective (without the insane outward expressions or kitchen-sink approach to electronics). So those are some positives.

God’s Creatures is quite listenable, and fairly unassuming. It doesn’t often get in your face. I read a review name-dropping Monster Magnet and Marilyn Manson. I just have to say – what? I think you were listening to the wrong tape dude. Whatevs.

I could take a moment to dig into the lyrics, but after a quick scan, I’ve decided I’m not reading them. I’m not really a lyric guy, and if they’re bad, they’ll pretty much spoil the whole thing for me. These might be bad. I have no idea though. Read at your own risk. I have a feeling they’re too serious and will spoil the mood.



--Ryan Masteller