Showing posts with label Tyler Damon. Show all posts
Showing posts with label Tyler Damon. Show all posts

TASHI DORJI & TYLER DAMON "Soft Berm" C41
(Magnetic South Recordings)




Total fucking shredders, man, both of ‘em.

I distinctly remember Losing My Shit while meditating to Tyler Damon’s last release on MSR, “Cloud That Passes, Cloud That Stays” a few years ago, and it looks like he hasn’t let up a single bpm.

With both musicians sharing the initials TD (and about a half-dozen collaborative releases together), this hyper-driven frenetic duet could easily assume the moniker Total Destruction, were they not equally as capable of dynamically delivering nuanced interplays, on-the-hush, as well. Dorji’s unique approach to looping a drone background whilst exploring improv dissonance is ever present, and, as always, met with Damon’s complimentary creative, percussive attack (I’m pretty sure he’s giving a manual typewriter a Serious Workout at one point), fluidly employing warp-speed fills, blastbeats, head/cymbal scraping, and rattlesnake-like shakers, to name but a few techniques he’s mastered.

This particular collaboration finds them all the better at trading off freak-out duties, letting the other build up a good frothing mouth before joining in on the rapid-fire, howl-at-the-moon madness.

https://magneticsouth.bandcamp.com/album/soft-berm
and/or
https://tashidorji1.bandcamp.com/
https://tylerdamon.bandcamp.com/

--Jacob An Kittenplan

TASHI DORJI & TYLER DAMON
"Live At the Spot +1" C60
(Astral Spirits/Monofonus Press)




This here is a live recording of Tashi Dorji (guitar) and Tyler Damon (percussion) collectively loosening their minds together via maximum soundwave disruption AKA jamming-the-fuck-out-of-their-ever-loving-minds. Dorji’s creative use of loop and effects pedals takes this out of the typical free jazz offering and into a constant state of “Now how in the hell is he producing AND stringing all those sounds together like that?” while Tyler Damon expertly picks & chooses his battles as to which nooks & crannies to power-pack full of bombastic freakouts to. On Damon’s solo (beginning of side 2, clocking in at 13:56!), his blending of scrape disciplines, steam-of-conscious phrasings and subtle tribal rolls is beatifically disorienting and hypnotic and evocative of animal rutting and fighting and writhing and I think it’s the bees knees &…well…I think you ort take a listen for yourself via the link below.

and/or


-- Jacob An Kittenplan

TYLER DAMON
"Cloud That Passes, Cloud That Stays” C34
(Magnetic South)




Organic Resonance. Solo Subtlety. Contact Microphones. Minimalism. Drumkit Overtones. Aggressive Posits. Disequilibrium equals Groove? Evolution + Memory. Goddamn I miss Bloomington. Perhaps a cedar drumstick head scraping? Neighboring open snare by a marching band’s bass drum? Psychedelic. For Whom the Treble Tolls. One Brilliant Headfuckin’.

Listen with headphones or a roomful of acoustic stringed instruments for wildly differing experiences. This is the gift that keeps on giving.

and/or


-- Jacob An Kittenplan