BORING PEOPLE “Onan” C42
(Already Dead Tapes)



Goddamn this tape is a good fucking time! 90’s Gainesville ‘Emo’ (think Clairmel) meets the alterna-grunge-y goodness of bands like Dinosaur Jr and the Toadies. Yes, the Toadies (no, not that goddamn radio hit). And Pavement. It’s like the high school mixtapes we used to trade, but with one band covering all the upbeat songs. Tons of driving bass lines, distorted guitar chords, Beach Boys-esque backing vocals along with lead ones that sincerely ooze ‘aww-man-fuckit-this-is-how-I-feel-man’.

Comfort food for the ears, really. If I still lived in the Midwest, these chaps’d be playing my living room four times a year.

and/or


- - Jacob An Kittenplan

+DOG+ “The Physiology of Crying”
(Christian Pop Records)



There’s nothing really remotely interesting I could say about this, so I leave to the good folks at the Harsh Noise Wally Tumblr to do my work for me.





You really, really have to keep an eye on that Harsh Noise Wally site. It’s hilarious! A real hoot. Those noise kids are great. Good sense of humor.





--Ryan Masteller

GRAHAM REPULSKI “Octopus Bribes”
(All Tens Music)



Have you considered getting yourself a vasectomy reversal just so you could beget a first born son, only to then sell him to Satan hisself in exchange for Guided By Voices getting back together and only writing songs like they did for ‘Bee Thousand’ and ‘Alien Lanes’? I almost did, but then I found a loophole: Graham Repulski is the reverse-Marty McFly of bedroom recording artists.

Thanks for saving me the codeine constipation, Graham. BP wrote over 1,600 songs, as per Wikipedia. I hope you’ll follow suit.



- - Jacob An Kittenplan

LITTLE BEAR “Live” (Third Ham Records)



Two dudes. Breathy vocals. Two guitars. Finger-picky. Twenty-two guitar pedals. Zero riffs. Zero earworms. Hollow? Sparse? Pretty? Prozaic? Sounds a whole helluva lot like Horn-of-Plenty era Grizzly Bear most times; others, the occasional Grateful Dead feeling. Not bad. Not good. Just is.

and/or


- - Jacob An Kittenplan

MARSHALL ART “Marshall Art” (Ubiktune)



Marshall Art imagines a world where Yes decided to pick up Gameboys instead of guitars and keyboards, thereby changing the face of prog forever. That’s anachronistic, you say? Gameboys weren’t introduced until Yes had firmly established themselves in the rock and roll pantheon? Fie, I spit at your insolence! In my world that I’m imagining, the one that Marshall Art is also imagining, Gunpei Yokoi introduced his signature handheld Nintendo device a full twenty years ahead of schedule in 1969, thereby changing the direction of 8-bit technology forever. I should know. I’m writing this on Back to the Future II day, and everybody is going batshit about alternate timelines. Consider it my inspiration at the moment.

Now – can I get lazy on you all for a minute?:

Marshall Art is the international project of jmr and streifig, in which the former builds castles with NES chiptunes and the latter destroys them with a directional blast of post-rock guitar.”

I feel kind of like Gob Bluth in the episode of Arrested Development when he finds the magazine with the talking ad for Judge Reinhold’s new show and decides to use it for his ventriloquism act. He opens the magazine and Franklin, his puppet, says variations of “My name is Judge,” over and over. That’s what I’m doing.

What’s that, Cassette Gods review? You have something to tell me?

“Marshall Art is the international project of jmr and streifig, in which the former builds castles with NES chiptunes and the latter destroys them with a directional blast of post-rock guitar.”

Well golly. That’s terrific information there, Cassette Gods review. Say, do you think I’d like this Marshall Art band that you’re going on about so much?

Marshall Art is the international project of jmr and streifig, in which the former builds castles with NES chiptunes and the latter destroys them with a directional blast of post-rock guitar.”

OK, that’s enough. I already know if love this frickin tape. Plus, my word count’s going through the roof. Better calm it down.

Still, Cassette Gods review does have a point, and the quote it’s chosen says it best. Marshall Art lie at this amazing intersection of chiptune, post rock, and prog, and each song is a powerful blast of all of that. It’s surprising when two likeminded dudes who don’t live anywhere near each other (Ottawa and Moscow are pretty far apart) can cohere as they do on this tape. And they even have a theme song, the side B-filling “Marshall Art” – it’s nineteen minutes long! So really, truly, get ready world, Marshall Art is your new favorite band. Gunpei Yokoi and Jon Anderson are looking down from heaven with approval, arms around each other’s shoulders and swaying to the excellent tunes. (Oh right, Jon Anderson’s not dead yet.)




--Ryan Masteller


MOMOHAUS / ANDREW JELLISON “Split”
(Sweet Sounds Records)


“Want to get away from it all?” says the voice introducing “Astroflower”, the lead track on Momohaus’ side. The open-ended question lingers throughout, even into Andrew Jellison’s contributions. Momohaus’ “Bow Echo” and Jellison’s “Erratic Motion” recall early Mouse on Mars with playful textured Krauty rhythms. This is just another cause for these artists to release work together.

While Momohaus engages with the New Wave to the Industrial, Jellison integrates New Age and Tropical vibrations. There is a rich variety to select from.

“Astroflower” closes with a voice saying, “this may be the last thing I ever do on Earth,” suggesting the metaphysical and spiritual journey the cassette provides for the listener.

https://sweetsoundsrecords.bandcamp.com/album/split

--Adam Padavano