Another split tape, this time from Stefan Christoff and Post
Mortem. Though unmarked as to A/B, the tape was wound to play Christoff's side
first so in it went. The first cut, "fenetres sonores" immediately
garnered my interest. Nice effects and a near melody made this somber piece
deserving of the premier track status it received. It was followed by a organ
dominated piece appropriately titled "organ rhythms under the rain"
which flows nicely coming out of the initial selection. Church organ sounds
with just a touch of abstractness, and again, a hint of a melody.
The remaining four selections were more of the same, though not
to imply this all sounds alike. Christoff knows structure or feels it
inherently and is conscious of not overdoing anything while still allowing for
enough of a theme to provide a glimpse at his aural vision. Sadly, there was no
contact information for this artist, but the credits indicate it was recorded between
2013-2015 in Montreal.
Post Mortem is the brainchild of Jan Kees Helms, and was recorded
in 2015. This side initiates with what could be a river flowing albeit rapidly,
then quickly you hear garbled voices and a repetitive squeaky sound (crickets?)
which again is layered with a number of natural sounds, all the while building
toward something.
Like the previous side, the composer has a great feel for not
taking a good idea too far. The piece keeps moving with a vast array of
abstractions and is further textured by a softly played piano adding to the
intrigue. The interesting use of a nature soundscape intertwined with minimal
electronica makes for an enjoyable sonic journey and though the track, entitled
"Soundsources", is lengthy, it
never sounds dull or monotonous.
The experimental path is a difficult one to follow successfully.
With little or no restrictions, artists can-and often do-throw in way too much
baggage. I'm happy to say that this tape is a splendid exception. Everything
here seems necessary and the music created by these two artists is both
challenging and comfortable to listen to. Extra marks for a very creative
housing for the cassette itself. Good stuff here.
-Bob Zilli
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