Showing posts with label Crank Sturgeon. Show all posts
Showing posts with label Crank Sturgeon. Show all posts

CRANK STURGEON / MATT LUCZAK “Crank Sturgeon / Matt Luczak Split” C23 (Orb Tapes)


That misfit Crank Sturgeon is at it again, this time bringing his mangled performance noise to Orb Tapes, where he totally belongs. Crank Sturgeon’s on side A. The B-side is offered up (like a ritual sacrifice) to Matt Luczak, who has “saved pretty much every loop [he’s] ever made.” That’s impressive! And lucky for us, we get them ALL here, “spliced together in a non-looping, linear track.” Yes, Matt, we WILL enjoy!

Crank-master S bloodies our noses with “A Stevening Teethe (Eating Leaves),” a frequency blast of industrial hum and agitation mixed with smeared-into-the-pavement voices that pulsates in vibrational patterns that leave you feeling like you were hearing them from the inside of an old-timey diving helmet. But here’s guessing that you’re not wearing one of those; still, imagine sentient static hollowing out the trunk of an oak tree that’s grown straight through the middle of your head, and maybe you get the idea. You’ve been chewing on the leaves for sustenance anyway, haven’t you? That’s all there is, crunching dumbly in your ever-moving goat-mouth. I’m not real pleased with you right now, you know. That’s why Crank Sturgeon’s doing this. He owes me a favor.

Matt Luczak might owe us all a favor, that’s all I can come up with for this weirdly generous and generously weird compilation of freakish loops. I mean, “Salvaged Loops” (cute!) is all over the place – I can’t even begin to describe them or document the building blocks really, although that does seem to be my job at the moment as music writer guy. There’s a lot of noisy blurts and shredded rhythms (in fact, dropping in at a random point on the track usually seems to suggest sculpted mic feedback), but there’s also a lot of surprise moments, like vocal tics, techno asides, blinking computer functionality, smudged ballroom dancing lessons, and random radio spins. It’s a wild ride from start to finish, because there’s really no way to predict any of the madness. You go, Matt!




--Ryan

Moon Machination


Moon Machination is a newish label from the Northeast with an irreverent and diverse roster of artists. The real standout for me so far is the first 12" from a weirdo group of out-there punkers called St. Dad (co-released with Vinyl Rites and 16OH Records). Cutsey cover aside, these boys create a nasty and snarling racket.  Other fine releases include a cassette of the absurd contact mic noise of the legendary Crank Sturgeon and a 7" of the so-annoying-it's-good 90's pop of Lawrence Welks & Our Bear To Cross.  Keep an eye out...

Stream the St. Dad record:   

Samples of other releases here: https://soundcloud.com/moon-machination

ID M THEFTABLE / CRANK STURGEON c46 (Basement Tapes)

A slap on the knuckles for me! It wasn't until I read the liner notes AFTER listening that i realized this was a split tape and not a collab. It's really not a gigantic deal and sort of explains what my main statement was going to be.

Id M and Crank are the two main dudes (at least to my knowledge) disrupting the Portland, ME music scene. At any given show you're likely to see them spray reconstituted milk on you while almost nude or play a ruler while conducting the audience to squeal out fake animal names.

This tape listens a lot more like "alone time" jams. No audience to interact with or distract the process (not that it is a bad thing when they do.) In fact, absent from both sides of this release is any prolonged exploration of voice trauma, usually a key component of their live sets. Instead a relatively fast paced carousel of tape cuts, toy instruments eeking out their last beep and sundry cheap tape decks being tossed about by the musicians in a manic attempt to freak themselves out while alone.

A nice addition to their catalog of releases and it's worth checking out to hear these guys step back from their focus on vocals, which it bears repeating, is nothing something i have a problem with at all!

Both awesome live acts, check em out if you ever get the chance.

Printed in an edition of 100, full color nice photo collage covers.
Still available from the label:
www.myspace.com/boilerroomemissions

CRANK STURGEON "Bark King Haggard" (Barfing Dagger Recordings)

Crank Sturgeon answered a cry from us Cassette Gods, even if we didn't know that we had made it! With all the talk about the role of fidelity (especially my own obsession with lo-fidelity) Crank Sturgeon was inspired to send us what he implies is his own murky masterpiece. Do I consider it a masterpiece myself? Of course. What else would I think when someone makes it a point to appeal directly to my personal taste? Well, maybe I'm being a little facetious. Here is the deal though: these are sounds as insistent as a stubborn child trying to force a square peg through a round hole. An insistence that manifests from the signature Crank Sturgeon sense of pace and editing; constantly shifting viewpoints, but always focused on the same well chosen group of timbres. The vocal-heavy moments of this cassette are somewhere between Popeye ramblings and a terrible case of OCD. Lyrics that make it through seem to be something like, "You can't be friends with my girlfriend," and other magical insecurities. Don't be misled though, this is music about being a child or at least how terribly childish we all actually are; not childish music. Masterful for the reasons that matter (you know, musical ones), not because Crank Sturgeon flattered my childish ego. It is always a wonder when someone can make music about being a fool without becoming a complete comedy act. I believe it is ok to laugh when enjoying CS music though.