Showing posts with label Nick Stevens. Show all posts
Showing posts with label Nick Stevens. Show all posts

NICK STEVENS “The New Age” (Galtta Media)


Nick Stevens and self-professed “jazz / minimalism / outsider pop” label Galtta Media are a perfect match for each other. Not only does Stevens do the crooning electronic art pop thing like label stalwart Adrian Knight, he enlists Adrian himself, fellow Galtta showrunner David Lackner, and Galtta satellite artist Alice Cohen as his backing band here on “The New Age.” What ensues are eight buoyant, generously jazz-inflected jams that fall somewhere on the spectrum between Jens Lekman and Stephin Merritt.

Perfect for the evening getting later and later; glasses of wine as the evening gets later and later; stepping out onto the balcony of the penthouse; light-colored suits; excellent hair; romance; the evening getting later and later – gosh, is it midnight already? Love and loss, life on the breeze, and the sax solo takes us away. Somehow Stevens specifically and Galtta in general tap into an incredibly universal suaveness, but one with a dark secret, one that isn’t for general audiences. Nick Cave as a lounge singer? Not crazy. Not a bad idea either.

Let’s see where we’re all going with this. … Back to my place?



--Ryan

NICK STEVENS "The New Age" (Galtta Media)




Not gonna lie here, I loveeeeeee sophistipop. Be it Scritti or Tears for Fear or Prefab Sprout. Producer and multi-instrumentalist Adrian Knight seemingly has a license to print sophisti-pop gold and this new Galtta Media release by Nick Stevens is noooooo exception. Steven's hypnotizingly deep voice lends to the intricate songsmithing and unique arrangements but this is really pressing on something deeper and more realized than much of what I've heard in a while from pop music in general.

Reliablely steering clear of 80s pastiche, there is a unique smoothness, especially in David Lackner's saxophone solos and the crisp drum machine accented by hand percussion. Knight's keyboard playing is unbelievable and hard to define in its uniqueness and the chord changes are jazzy, sweeping, and unpredictable throughout.

"Inviting You (Into My Life)" is a truly remarkable track. At almost seven minutes long, it borders on Steely Dan grooves, Paul McCartney melodies, Beach Boys harmonies, and Yellow Magic Orchestra timbres. There are lots of exciting harmonic jazz jumps in the chord progressions on this album. Every song has finally tuned keyboard and guitar hooks. "(Beyond)The Law" is a smoove grooving instrumental with almost a tinge of the Residents in Alice Cohen's airy background vocals.

"Colors of the Sunset" could draw comparisons to "I'm Your Man"-era Leonard Cohen not only in the baritone vocal delivery but the deep hues of lyrical content. "All Night Messiah" is a serious take on pop with a convincingly deceptive melody and funky bassline. The title track is another standout with its strikingly complex counterpoint and icy synth parts. The final track, "Motorcycle" is almost suitably Abba-esque in its grace and mesmerizing pop-disco drum & bass groove.

All and all, every Galtta Media release I've heard thus far strikes me as fantastic (especially Knight's solo album "On The Prowl Again" and Blue Jazz TV featuring Billy G. Robinson's two releases on the label). If you like pop, old or new, this is for you!!

https://galttamedia.bandcamp.com/album/the-new-age

--"Jamband" Josh Brown