Picked this tape up when Demons came through town a few months back along with a few LPs and they're all awesome. This tape is two live sides with Nate Young (of Demons, Wolf Eyes) being the consistent member. Don't know about yr predisposition towards either of those projects but if you're into either at all, this tape won't disappoint.
Separating this from the (recent work of wolf eyes) this tape gives lots of room to the interacting members, leaving air and breathing room (or tape/pa hiss and audience noise) between the squalls and squawks of the instrumentation. I'd be more specific about what is being played but the liner notes give no indication, and it's actually sort of welcome, allowing my ears to pay attention not to the mechanical side but the aural. Would be safe to say there's some analog synth, tape, and varied electronics, even safer to assume that knowing the other players are Max Eisenberg (of the great DJ Dog Dick, sometimes Nautical Almanac) on one side and Twig Harper and Max on the other side.
The live in W.Baltimore side is a lot more chaotic than the Detroit side; trading punches of cut up and scattered sounds countered by blasts of truly intimidating walls of gurgled up electronics. The battle slows a bit into a more tempered back and forth mutating into a low heavy unfurling, sounding like a mechanical mucus covered tongue unrolling.
The live in Detroit side has a similar feel at the start, with a good bit of shrieks and wails passed back in forth leading into a really really swollen build up carrying all the information exchanged at the beginning of the performance on its back and leveling out into a full room, totally controlled mess.
Black and white line artwork, white tapes.
still available at AA records website:
http://www.wolfeyes.net/aaindex.html