Showing posts with label Editorials. Show all posts
Showing posts with label Editorials. Show all posts

Write For Cassette Gods


UPADTE 12/8/14: this post was a resounding success! Just look at all the new Cassette Gods added to the sidebar. I just mailed over 150 tapes to over 20 new writers.  I think we have all the contributors we need at the moment and we should be getting up to speed in the coming weeks.

Cassette God's was founded by Brian Miller (Deathbomb Arc) of Los Angeles in 2006. A few years later George William Myers (Breaking World Records, The Quarters) took the helm.   I've been keeping it alive for the last four years or so, but a variety of factors have lead me to not give this blog the attention that it deserves.  This is a real shame, because the amount of submissions have been steadily increasing in recent years, to the point where there are now way more tapes than can be adequately processed by the current writers.  
The number of artists releasing there music on cassette has grown exponentially since we first started and the blog has seen the format transition into one mostly used by Noise bands in the mid 2000s to it's current re-emergence as a medium for all genres of music. I think that shift has been noted in the general evolution of this blog over the years.  

My current goal is to get Cassette Gods to the point where we are posting one review per day. I'm looking to get a handful of new people involved so we can really do service to the amazing tapes everyone has been sending in.  There are two ways to get involved:

1. If you live in the Boston area, stop by my record store Deep Thoughts, grab some tapes from the rack (pictured above) and send me the reviews. This option is open to literally anyone who can make it to the shop.  Right now, Jack Turnbull has been the major raider of the submissions box and I can't thank him enough for his dedicated contributions over the last year.

2. Send me an email (contact info in my blogger profile) if you are interested in becoming a regular contributor. I will be mailing out care packages of tapes to the new writers. All that is required is a love of music and a commitment to send me a minimum of one review per week from the tapes you receive.  Writers are definitely encouraged to write about any additional tapes they acquire through other channels, but not at the expense of neglecting the "official submissions."  This tactic has been implemented before, but not with much success, (i.e. the reviews would dry up pretty quickly) so I'm going to be pretty strict about the weekly contribution requirement for writers who I mail tapes to.  I'll only be able to mail tapes free of charge to writers in the USA. 

To the musicians and bands that send us your music daily:
Keep your submissions for review coming. No tape gets discarded and everything will eventually fall into the hands of a writer (though that doesn't guarantee a review, hopefully you will have a much better chance in the near future).  I think Cassette Gods is one of the most populist sites of it's kind in that we will review anything if it inspires us and we're not looking to drum up readership with "big names."  I can't tell you what a joy it's been to be involved in this project.  I frequently get emails from musicians just getting started who say that positive reviews on this page have lead towards all sorts of great things.  Surprisingly the readership has steadily increased despite the infrequency of posts, so now is definitely the right time to make this blog the best it can possibly be.

With Love and Respect for the Cassette Community,

Nick

FANCY LAD - NEW HELL


Editorial by Jack Turnbull

Cassette Gods is reviewing a different type of cassette today; a VHS cassette, Fancy Lad Rollerboards presents “NEW HELL”. “New Hell” documents a Boston based skateboard crew with a style that has a lot of momentum within the skateboarding community in 2014; “creative skating”. While “New Hell” captures footage of daredevlish drop-ins, advance level rail grinds, bombing down scary steep hills, “physics be damned” switch wheelies and everything you’d expect from a skate video, what makes Fancy Lad’s “New Hell” unique is its ability to poetically illustrate the complexities of skateboarding in your late twenties when the glamor of the practice begins to fade. It’s an exhilarating video and the skateboarding captured on footage is impressive. “New Hell”’s crew perform skateboard tricks of exceptional difficulty. But these stunts are intermixed with the silliest of pulpy B grade exploitative films, camcorder late night tomfoolery and scenes of self deprecating humor. Balancing the sincerity that comes with genuinely needing to accomplish athletic undertakings with loosely thrown together Simpsons doodles and tacky kill scenes from old school horror movies makes for a compelling contradiction. It’s almost as if the Fancy Lad crew is unaware of their accomplishments. Or maybe the Fancy Lad crew is purposely attempting to downplay their accomplishments. Or maybe the Fancy Lad crew is fully aware of their accomplishments and are allowing humor to point out how little reward there is in skateboarding for the average border beyond the act of skateboarding itself.

The video editing in “New Hell” is sometimes random. Some of the found footage from movies (that range in source from “Brain Damage”, the worst B-grade 80ties creature feature you can find, “Apocalypse Now”, “Steven King’s Misery”, “Happiness”, 1990ties MTV News snipers, “The Simpsons”, footage from the Charles Bronson Death Wish series, etc.) does not always correspond with the footage of skateboarding, although sometimes it does to make delicious puns. The feel of the movie is therefore jarring, especially the movie’s final segment with skater Jesse James who skates like he's in the circus. James skates in clown shoes and at one point goes as far as to include a scene where someone is pooping off a ceiling (the footage is very short, so it’s over before you can figure out what’s happening. Like a subliminal message, you know you’ve been visually assaulted but due to the footage’s lack of screen time its shock is quickly forgotten as a new barrage of skate footage grabs your attention).

This is not to say the movie is anti-thematic or lacking structure, however. In fact, New Hell addresses an incredible amount of emotional range; from anxiety, to euphoria, to discouragement, to triumph.

There is a slam session (skateboard lingo for footage of crashes and failures) accompanied by sad trumpet jazz… it makes skateboarding appear isolating and painful. Later in the session, the editing superimposes footage upon itself. The effect gives off a melancholy film noir portrayal of time fading away. In the context of the rest of the video, which is very passionate, high octane and aggressive, it is introspective. This juxtaposition made me laugh, but again, sincerity shined through and the segment feels bleak to the point of almost feeling like a cry for help. A reprise of this “sad jazz song” theme is used in an equally painful looking segment later on in the movie. Vangelis’s “One more Kiss, Dear”, from the Blade Runner soundtrack, accompanies it. Again, the juxtaposition of tepid jazz with high speed crashing is ironically amusing, but more importantly introspective.

The skateboarders in “New Hell” are not glamorous. Their clothing suggestions a disheveled poverty. They are flawed but athletically ambitious men the audience roots and empathizes with due to their visual disappointment, injuries and failures. By not glorifying their practice of skateboarding, Fancy Lad’s “New Hell” ceases to be a cynical promotional device to glorify skateboard commodities and instead becomes art; an undiluted and raw expression of human determination, enthusiasm and creativity.

If one studies the history of the skateboarding film one will know that this isn’t anything new; Toy Machine’s “Welcome to Hell”, for example, has a cringe inducing smash reel that would make even the most seasoned of crash test dummies run for the nearest toilet or rubbish basket to puke. But New Hell isn’t just injury porn. It’s more complicated than that. New Hell exaggerates and expands on whats its like to have a burning passion for skateboarding, only to realize you’re not Tony Hawk, you’re never going to be Tony Hawk, you can’t join the ranks of respected financially stable society through your burning passion like Tony Hawk … and to decide to continue following that burning passion regardless. New Hell is not just physically ballsy, it is existentially ballsy and the crew deserves greater notoriety.

Therefore, I got in touch with Fancy Lad Skateboards CEO Nick “Big” Murray. The following questions were inducted via e-mail correspondence.
************************************************************



CG: Was there one particular cinematographer who filmed "New Hell" or does the Fancy Lad crew share the responsibilities?

FL: The entire crew shares the filming, whoever is out on the session, it’s referred to as “Buddy-Cam” in skateboarding. That’s why some of it sucks so much.

CG: Non-licensed Simpsons doodles are a recurring theme in “New Hell” and on your decks. Is Matt Groening an influence?

FL: Everybody loves the Simpsons earlier works, they taught us everything we need to know about life. Without it, I would have no childhood.

CG: Do you have a favorite Simpsons episode?

FL: Fiske likes when Homer goes to Clown College, or when the Family goes to Ned Flanders summer home with Milhouse, but my favorite might be “A Star is Burns” or better known as the film festival episode. Too many to name though, that’s just a few.

CG: White Boy the Average Rat Band's "Sector 387" is a highlight of “New Hell”s soundtrack. How did you stumble upon this obscure proto-metal band?

FL: We discovered that band thanks to file sharing with our friend Matt Haggerty, he used to have a blogspot called White Widow. The guy is a Genius; he has more music than anyone we know.

CG: What can you tell me about Ferderalz “Coming Soon”? It has a looping orchestral beat that sounds dated, like classic Wu-Tang Clan. The outdated VHS footage of the rappers in New Hell makes them appear from another era. Is Ferderalz a contemporary band?

That song was sampled from the Shorty’s Skateboard video “GUILTY” which was released in 2001. I searched for a long time, but could not find a download, so I had to rip the song from the VHS copy I have, which is why you can hear skate audio that doesn’t sync up. I assume they are from the San Diego area as well. Hopefully they are still around.

CG: New Hell has almost an anti-digital aesthetic. There is a lot of freehand typography, for example. Furthermore, some of your board designs are collaged and photographed by hand, not even in Photoshop. If someone were to watch the VHS “New Hell” it would be difficult to decipher its production date (could be anywhere between 1993 - today!). The soundtrack isn't very contemporary sounding, either. Are you nostalgic and is your lack of contemporary sources intentional?

FL: Just because we have the technology, does not mean we have to use it. It is intentional in the respect that it is a more bare-bones approach the skateboard video medium. I think it makes for a more honest result. It is looking backwards and forwards at the same time, as it strives to take what has come before into a new direction. Just like in music, you know you have done something special or with a certain merit if it sounds good without a slick production.

CG: The Fancy Lads are creative guys. Does anyone in the crew have other creative or artistic outlets/projects? If so, what are they?

FL: Everyone on the team is an artist, skateboarding is an art in itself, so that goes without saying, but there are other projects. There is a Fancy Lad art show in the works this autumn at “BASE”. Zacher, Yellow Nick, Legs, Abe, Ripquist, and myself all have attended art schools in MA for college. Everyone still practices the arts when we are not skating. Some even have jobs in the field.

Fiske has been writing poetry and working on his video collage for quite some time. Also, Fiske and Tony are both Techno geniuses. Everyone is creating in one way or another when the inspiration strikes.

CG: You work very, very hard. New Hell is evidence of this. However, there doesn't seem to be a correlation between hard work and financial benefit these days. You seem aware of this irony to the point you celebrate it, or at least point it out. For example, one of my favorite Fancy Lad skateboards is the “food stamps” deck. You’re literally advertising your own poverty. As a fan, this is incredibly frustrating because I know, right now, there is some lame ass lobbyist jerking off in a cubicle somewhere making six figures to look at the Facebook profile of some girl he had a crush on in high school. And here you are, bruises up and down your legs, literally busting your ass to make the world feel inspired and happy, literally for free because the Fancy Lad New Hell video is up on Youtube and therefore accessible to everyone, even the hypothetical lobbyist in the cubicle. How do you keep doing this? Is the act of skateboarding really a reward in and of itself? Do you genuinely believe this, or do you ever feel resentment?


FL: A friend told me that Elliott Smith used to refer to food stamps as “artist grants”. I think that sums up why we made the graphic best. It is just a product of the times we are living in. We are not ashamed of this. It is facing your own harsh reality and laughing at it. But when I think about it, genuinely, I don’t think anyone of us should complain, we all have it pretty good if we can work a dead end job and spend the majority of our time doing what we love; besides, you can’t take your money with you when you die.

CG: What’s next for Fancy Lad? I hear a new video is in the works.

FL: Yeah, that is what we have pretty much been working on for the past year. “FL3” is the title. There will also be pogs, trading cards, and action figures coming soon!

CG: Any music you are listening to right now that Cassette Gods should know about?

I say listen to more COIL. Other than that, Ancient Methods, Death Grips, Chrome, Flying Lotus, and make your own music. Make it fucked up. Also, the last castrato.

CG: Thanks for answering questions, Nick. Godspeed!

*************

Buy your copy of NEW HELL and other Fancy Lad Products HERE.

http://fancyladskateco.blogspot.com/

Finally, here is the track listing for New Hell. It isn't complete, but at the very least it should give you guys a happy music hunting session. As always, these tracks are free but we implore you to purchase physical copies of these samples because the musicians are mondo talented and should be supported.

1. Rites of Spring - End on End
https://www.youtube.com/watch?v=qpla_3yq8Xs

2. White Boy and Average Rat Band - Sector 387 (see link above)

3. Chrome - Creature Eternal
https://www.youtube.com/watch?v=4cA9WZ4uOSs

4. Song from Creepshow soundtrack (youtube video N/A)

5. Federalz - Smolik (youtube video N/A)

6. Adaptation - Nicholas Cage monologue
https://www.youtube.com/watch?v=6Geq3wVvaNE

7. Anonymous VHS Porno

8. Altered Beast Theme Song
https://www.youtube.com/watch?v=Qq8G4tZbMmw

9. Fiske - Untitled (Youtube video N/A)

10. Bladerunner Soundtrack - One More Kiss, Dear
https://www.youtube.com/watch?v=XzcHJAONSSo

11. Mystifier - ???
https://www.youtube.com/watch?v=9vRqQ8Gd49Y

12. Piano - ???

13. Buckethead - Friday the 13th Part 3
https://www.youtube.com/watch?v=PMudvpAdotE

14. Logic System - Talk Back
https://www.youtube.com/watch?v=YXO5IIIhVy8

15. Dr Who Theme
https://www.youtube.com/watch?v=VkcHgI_TIYQ

16. Benga - (???)
https://www.youtube.com/watch?v=mWsPOhUCgHM

17. Streets of Rage
https://www.youtube.com/watch?v=6nZVkilo52s

18. Sol - the Boxcar
https://www.youtube.com/watch?v=zV8JWQlUPlw

19. Jake Kaufman - Mango Tango
https://www.youtube.com/watch?v=gcO4vU5M0Js

20. Todd Rundgren - Dumb and Dumber score
https://www.youtube.com/watch?v=crVKBDqGzns

21. Los Microwaves - Time to Get Up
https://www.youtube.com/watch?v=EEX59Qd2GcA

22. Funny Man Theme (youtube link N/A)

23. Oingo Boingo - Forbidden Zone
https://www.youtube.com/watch?v=hxOnbpWVELU

24. Song from Caligula
https://www.youtube.com/watch?v=cn24GND1aDc


http://fancyladskateco.blogspot.com/

Digging Like a Dog

(mostly) Northeastern Report

Oh, beat the drum slowly and play the fife lowly,
And play the dead march as you carry me along;
Take me to the valley, and lay the sod o'er me,
For I'm a young cowboy and I know I've done wrong.



A couple of cool new records I've been listening to a lot lately are both sort of fall-out albums from the noise scene. Phemale does tripped out cabaret style songs on his super limited debut LP "Silk City", out now on Red Scroll Records.  You've got to catch the live act...costume changes between every song.  First guy since Russian Tsarlag who does this kind of stuff that I can really get behind.  I hear there is a tape on Elm City Records too that is definitely worth tracking down too. I've also been playing Form A Log "Two Benji's" LP on Decoherence a lot recently. This is not as techno as the Container or Profligate material (both guys are members), but deftly straddles the line between rhythm and noise. Speaking of which, there are 2 new Profligate 12"s that you need to buy for your weird rave. Find that shit! Though as far as noise goes, no one is more noise than Noise Nomads. New LP out now on Western Mass institution Feeding Tube Records. Byron Coley writeup and purchase power available from their website. Distro via Forced Exposure


The new LP by Daniel Bachman, "Jesus I'm A Sinner," is his best work yet. I should know, seeing as I put out his first record and it's been topped twice now, both times by the super folk purist label Tompkins Square.  They've also got limited new vinyl by Daniel's bro Ryley Walker and the immortal Michael Hurley.  On the folk front I'm also still digging Asa Irons (ex-Witch and Feathers) "Knife Gift Debt" which can be streamed or purchased on vinyl here.  Very somber and beautiful folk album with an allstar cast of Maine musicians.  Maybe you'll find him playing a party at Taboo's house???  That band right there, one of the best bands in America right now and they actually do have internet, despite what has previously been reported.


One of the most surprising tapes I've heard in recent memory is the Power Masters discography-so-far self released cassette - amazing hardcore/garage/weirdo band from Providence.  You've got to have balls to use that name in that town. Mad props. Check it out.  More quality New England punk rock from Hoax who have self released a 12" that comes with 5 huge posters. Amazing!  Peep.

I've also really been liking the recently reissued Idea Fire Company album "Rags To Riches."  This 2005 cassette is now available on vinyl from Recital Records.  IFCO is one of the most studious bands in the Northeast.  I wouldn't fault you if you'd never heard them and certainly wouldn't if you'd never seen them live.  I would wager 75% of their fan base is overseas.  There sound is just that SERIOUS man. 

Don Gero's first release (out via Primordial Sounds) is a very focused and well recorded drums and triggers set. This guy is previously of Boston and the band Arvid Noe, now on the west coast. Find this dude in Oregon or somewhere and make him play your basement!  Also on the Boston front, we have the upstart label BUFU Records.  They're doing more of a rock thing, but I really like the super tight surf madness of Tsons of Tsunami (Guerilla Toss side-project) and the cartoony and technically proficient sound of Designer and it's also great to see ZEBU! get a 10th anniversary compilation tape. BUFU also has the first 7" by MA band Aykroyd who offer two nicely done post-punk/psych tracks. This is the kind of incredibly active label this town needs! My newly adopted hometown has had a string of really great bands of late.  If you're into nice female fronted garage pop, check out Saralee who have an LP out on Ride The Snake and a split tape with Giving Up on Sophomore Lounge.  Last but not least on my beantown radar are Knight Howls, the all-vocal duo of Arkm Foam and Frank Hurricane (who probably has like 8 other releases out right now...I'm hearing rumors of a double LP on Feeding Tube).  These guys hoot and holler their way to the pressing plant on their first vinyl release. Find Foam's contact here, and also pick up a Frank Hurricane tribute tape with j-card and mini-poster by Josh Burkett. Oh and also shout out to my boy Mark Johnson who has two new tapes on Anonymous Dog, one with Hunnie Bunnies and one as Truck Stanley's Night Dreams.


I've been getting super gacked-out on the Gem Jones release on Night-People. It's a totally fucked version of old school R&B boogie woogie stuff.  Music of the highest order. This tape is from the last batch or maybe two batches back, but I just really started getting into it based on the recommendation of  The Savage Young Taterbug, who's short tour tape, "Journeyman's Cheddar," is a recent favorite of mine. Tater's tour pal Tracey Trance was also trucking with a great new cassette called "Keep It Up."  You probably can't find those last two tapes anywhere though...


Brattleboro, Vermont's The Happy Jawbone Family Band never fail to jah-maze. Their new self titled LP on Mexican Summer is the cleanest thing they've done yet and the song writing is top notch. This record is growing on me with each listen.  I wanna go bone deep... What else is new in Brattleboro??? Oh yeah, great first 7" by Danny Bissette on Rarebit Records.  Danny is perhaps the most secret member of the scene up there.  UPDATE: you can purchase the 7" and some other great tapes at www.rarebitrecords.com Chris Weisman, Ruth Garbus and the Great Valley continue to make killer music up there and expats Blanche Blanche Blanche (OSR Tapes forever) and King Tuff are making waves in New York and LA respectively.  BBB have an especially great new LP out now on Whart Cat Records called "Breaking Mirrors". Check it out!!! 

Okay, that's all for now. Keep sending in those tapes and I'll keep finding people to review them.  I think this is the steadiest stream of new posts we've had in a while.  Also if you're interested in writing for Cassette Gods and you live in the Boston area, send me a note at cavebears at g-male dot (honey) comb.

Oh yeah, one last shout out to my boys The Phish From Vermont, who totally slayed Fall tour.  Way to go guys!

bet you didn't see that one coming...

TOP TWENTY MOST UNDERGROUND, UNDERRATED OR UNKNOWN ARTISTS IN NEW ENGLAND


I've been a part of the underground music house show/noise show or whatever scene for ten years now either as a performer, show attendee or venue runner.  During that time I've seen some really great stuff come and go, some of it gaining a modicum of national exposure, but much of it remaining woefully obscure to all but the very lucky few.  This post is an attempt to highlight some of the best acts from my adopted home of jolly olde New England that you may not have heard before.  Initially, one of my selection criteria was lack of web presence, but it's harder and harder to find a band who doesn't put themselves out there in some way these days.  The list is by no means complete and is somewhat of a contradiction of terms.  Clearly the truly "most undergroundest" artists are ones I or no one else has ever heard of.  So please don't take the title too seriously. The list in some sort of rough order that is a combination of how much I like the artist v.s. relative level of obscurity...plus mysterious factors.

Skimask
20. Skimask - I feel kind of funny putting these guys on the list because they're so well liked in Boston. But when you release your first LP and you don't put the name of your band anywhere on it, well that's definitely a nod in the direction of obscurity.  This trio sounds kind of like a somewhat standard (but great) noise rock band, but all the "guitar" and "bass" parts are made by one dude with a mic and a table of pedals.  There's also a more traditional singer, a real fine upstanding citizen and a powerhouse drummer who's in tons of New England punk bands.  Adding to the aura of mystery around these guys is the fact that they cancelled what would have been their first big tour out of the region, only to appear again unannounced at some local dives a few months later.  Hey, I guess they have a website though: http://skimaskboston.com/

19. Peace, Loving - Another one that I wasn't sure belonged on the list at first.  Adam Kohl and Kate Lee (who are soon to be expecting their first child) are founding members of the Whitehaus collective in Boston, a house/venue that has hosted hundreds upon hundreds of touring bands for the last 5 or 6 years.  While many people are aware of their efforts in the DIY community, I think their strange and prolific musical output is often neglected.  From their one of a kind live performance events that feature a mix of music concrete, folk and poetry, to their micro-edition releases, Peace, Loving is one of the most unique groups from New England.
http://www.travelingband.org/

18. Nathan Ventura - Travelling dude and sometimes Boston resident who produces quite a lot of music, but has only played live a handful of times.  A debut LP on Anonymous Dog Records doesn't seem to be doing much to spread the word on this guy, and that's a shame.  Maybe cause you can't even buy it from the website of the label that put it out (!!!), but I swear his record exists. I have one!  True outsider one-man-band fucked up folk noise. Hear much sound on bandcamp: http://nathanventura.bandcamp.com/

Horse Spirit Penetrates
17. Horse Spirit Penetrates - A Western Mass band who seems to play about once a year and has maybe put out 3 or 4 tapes or CD-rs over the last decade. Here's what I said on Cassette Gods three years ago:  The wigged out almost-moog-toned guitaring generally maintains a permanent tonal fantasy, while the drums are a constant swirl of never-dying fire with free-jazz-mannerisms in tow. It's loud and it hurts, but it achieves a mythic greatness.  Some old music on myspace: https://myspace.com/horsespiritpenetrates


Clare Hubbard
16. Clare Hubbard (Caethua/Ancestral Diet/Sports). I think Clare lived in New England long enough to make it on this list...though she might have left for greener pastures by now.  Whether it's the gloomy folk of Caethua, the industrial goth noise of Ancestral Diet or the totally thrilling and even more refined solo jams of Sports, Hubbard has been a guiding light in underground music to lucky few who get to hear her play or grab one of her totally underrated records.  www.saxwand.com

15. Visitations, et al. - This mysterious psych folk group from Portland Maine was active for a few years in the mid 2000s and did have a relatively well received full length LP on Time-Lag (again, a case where the band's name appeared nowhere on the physical release), but there's something about their personas that always kept them a secret from the world at large.  They don't play (much? at all?) together anymore but you should try to catch a solo set or hear a release from the three members' current projets: Janane Tripp plays solo under her own name and Chris Livengood and Brendan Evans  perform as a duo called Video Nasties.  Brendan also has a solo record on Don't Trust the Ruin as B.R. Garm.  This is the only band on the list that I would call "collectible" in anyway.  For the most part I've tried to stray from artists whose releases fetch higher than list price on the internet (thus the lack of Josh Burkett on this list, one of my absolute favorite New England musicians (sorry but I just can't afford a vinyl copy of Gold Cosmos or Where's My Hat...plus the dude's got too many fans in Europe).  Check out one track off the Visitations self-titled LP here: http://www.youtube.com/watch?v=jaoZHhgOgc4

Shea Mowat
14. Shea Mowat - This Maine/Massachusetts resident has been continuing some sort of avant-garde performance-as-composition trend that draws parallels to Paul McCarthy, Robert Ashley, Alvin Lucier, Walter Marchetti and, you know, all those dudes. This video is pretty intense: http://www.youtube.com/watch?v=Ng-BPdN5DxQ.  This one is more musical:  http://www.youtube.com/watch?v=kHhTpbbCRr4

13. Astral Plane Junkies - Very confusing and completely unheard of performative noise/metal with psycho undertones.  Check out this rare set captured on camera a few years back: http://youtu.be/dA7WVTZSn5Y

12. Dark Rodeo - Some of the bleakest of the bleak here.  Truly fucked up lyrical content that sometimes borders on criminality, pornography and other such subject matters, but always maintains a somber and captivating tone. Some of it is folk music, some of it is tidal, elegiac rock.  Maybe two highly limited physical releases on cassette, but some more material on bandcamp: http://darkrodeo.bandcamp.com/

11. Martin Chartrand - I'm basing this one on the strength of a single performance at the Frantasia Festival in Livermore Falls, Maine during the summer of 2009.  I find it hard to describe what made it so captivating, but it's a set that I will never forget as long as I live.  Chartrand sang male/female songs in two different voices in a way that completely floored me.  He was backed up by an out of tune "jazz fusion" bassist and an overweight Native American woman on handdrum.  Had to be there.  He's got a CD-r or two out there and was a member of a collective band which I've since forgotten the name of.  I've honestly been afraid to listen to any of his music since that night...Trying to keep the dream alive.

Ruth Garbus
10. Ruth Garbus - Ruth might be one of the most well known people on this list, but it's been more for her membership in other groups than for her gorgeous solo work.  She first came to my attention as a member of Vermont's Feathers in 2004 or 2005.  She was also the drummer in the short lived rock group Happy Birthday (with Feathers alum Kyle Thomas on guitar and vocals & Chris Weisman on bass).  Plus, here sister is pretty well known for making music as Tuneyards.  So yeah, she's been on the edges of some stuff that is approaching the mainstream, but I think that's all the more reason to include her on this list as I feel like her solo acoustic music is very little heard or discussed. Some oldish tracks on myspace: https://myspace.com/ruthgarbus

9. Altered Gee - A new group of two just barely twentysomethings from Portland Maine.  These guys make chillout keyboard and drum machine jams that are great for making babies to and don't really fall into any kind of trend. Hear ten minutes of their debut LP here: https://soundcloud.com/lanimaux-tryst/sets/altered-gee-rise-from-yr-grave

Glade Swope
8. Glade Swope - Another Mainer, Glade has been making his bizarre brand of psychedelic christian metal since the late 1980s and he's still going strong.  There's somewhat of a learning curve to this stuff, but there should be enough assorted sound, text and image on his website for you to get the picture.  "I've seen it through my own three eyes."  http://www.gladeswope.com/

7. Bryan Gillig - This guy is pretty much known only to me and a few lucky others.  A songwriter who I would say is as good as Warren Zevon, but he works in the produce department of the co-op in a little college town in the hills.  Bryan's singing and performance style might take you a minute to appreciate, but his lyrics are at the absolute top of the heap.  He's got his first band together after many years of playing around campfires.  They're called Loudville, and hopefully you'll be hearing something from them soon.    http://bryangillig.bandcamp.com/

Bengeorge7
6. Bengeorge7 - One of the funniest acts I've ever seen play live. Period.  This is a duo of Ben Hersey and George William Myers, two good friends from Western Massachusetts who blend Dada, slapstick and noise in a way that always brings a smile to my face.  Don't expect much in the way of releases though as these guys have probably been around ten years and I don't know if they've put out a full length, and who can blame them? The physicality of their performance is what makes it so truly special.  Check out this youtube video of what I think was the most recent set they've played: http://www.youtube.com/watch?v=r-Kt8vn4p6s.  Also see their spiritual brother: Anthro Rex.

5. Edith Bunker's Demonized Vomit Insurance - Another guy who's been at it for along time.  Edith Bunker is the pseudonym of crazed New Hampshire loner Brent Field, who is sort of like a one man Sun City Girls or Caroliner.  Someone told me he's from the same town the Shaggs were from but I'm not sure if that's true.  Used to have a confusing myspace page, but I'm sure all the html has been stripped by fascism long ago.  Do a google search maybe? I dare you...

4. ANTi - Perhaps the most undeservedly unknown artist on the list, ANTi is a bassist and vocalist from Martha's Vineyard who is kind of like a one-man No Trend, Kilslug or Flipper.  Scott Seward, who owns John Doe Jr. Books and Records in Greenfield, MA showed me this guys music and I've been obsessed with it since day one.  So cruel sounding, so personal.  Check out this sick song "Sacrifice" on youtube: http://www.youtube.com/watch?v=WHkQuPW8RHk, but really any of the 92 videos on his channel will do.  Many of them have under 30 views!  He's also got a soundcloud: soundcloud.com/antibassmetal

3. Moscow Mule - This duo of then teenagers could be found rocking shows in the Pioneer Valley of Massachusetts from time to time in the mid 2000s.  My favorite part of a Mule show was the subtle slide from set-up, to tuning, to banter, to technical difficulties, to half-song noodles, to full frontal shit rock and finally to complete and utter collapse, all in the course of about 25 minutes.  Cory Matthews (drums) and Coco Schachtl (vocals, bass) were probably majorly influenced by Lightning Bolt and their ilk, but the humor and total unrehearsedness gave them a real edge for me.  They only recorded 5 songs to my knowledge, all of which were released on a split tape with Laudable Pus on Breaking world records. You can still hear some of that music on an old myspace page: https://myspace.com/moscowmule

2. Taboo - Unlike most of the artists on this list, this trio from rural Maine has actually toured all the way across the United States (though I think they've had shows cancelled due to lazy hippie west coast bookers' concerns with the group's "image").  Also, they've got three full length vinyl out too, which makes them un unlikely pick so high up on the list...but there's something truly frightening about this band of true pagan blood sacrifice freaks that will make it so they absolutely never achieve any kind of real acceptance, even in self proclaimed underground communities.  I think it's better that way because Taboo are true dark sorcerers whose magick should not be taken lightly.  They tour with their own soundsystem in order to create punishingly loud psychedelic rock onslaught, but clean up pretty nicely on record.  When I say 'clean up,' I'm probably envisioning a handsome man in drag mopping up a pool of blood.  One of my favorite bands in America right now. http://taboomaine.blogspot.com/

Jeremy Latch
1. Jeremy Latch - Who's this guy? What, never heard of him? Exactly!  Jeremy has been one of the most consistently inspiring musicians to me, mostly based on the strength of one cassette collection of songs and tape collages entitled "Love Letters to Everybody" (yeay! tapes 2007), but also just from knowing the dude and being able to hear him sing from time to time.  I've been told that he was friends with Devendra Banhart before the more popular (and more hirsute) folk singer stole Latch's bag of tricks and blocked all his calls.  Whether or not I heard correctly is unimportant (and who the fuck is Devendra Banhart anyway?), this is some real stuff right here.  Find that tape at all costs.

Honorable Mentions - 

Chris Dooley (Holyoke, MA area show booker extraordinaire and secret genius of horrifyingly loud noises)
The Terribles (Worcester punk band with amazing licks and 15 years of playing together)
Jow Jow the Death Knell Rung (psychedelic jam supergroup with revolving membership)
Turtlecat Symphony (perplexing tiny noises made by a half-deaf woman)
Grey Skull (these guys have toured and released lots of stuff, but they are still criminally under appreciated. Probably because they sound like they don't know what they're doing, but trust me, they do.)
Barn Owl (that is the original spazz noise Barn Owl of Chris Cooper, Andy Crespo & Matt Weston, not the currently semi-popular Barn Owl from SF)
Belltonesuicide (one man noise machine with probably 100 releases and very little exposure)
Pine Tree State Mind Control (patience trying conceptual noise)
Radioactive Prostitute (long running Nirvana inspired rock cum destructive performance art unit)
Codeine Schoolboy (this chick is completely on her own wavelength)
Mystic Out-Bop Review (high quality acoustic free jazz trio from Portland, ME)
Tumble Cat Poof Poofy Poof (profoundly strange costumed performance and tape music, plus the dude is a great visual artist)
Foom (Triple 7" on Stomach Ache came out in the 90s and then only a few CD-rs here and there.  Currently doing super chill turntable sets and working in "the music industry")
Sound of Pot (solo project of Conrad Capistran of Sunburned and Tarp.  Big man with beard makes movie soundtrack miniatures with an SK-1 and Kaoss Pad)
Andrea Pensado (maybe she's well enough known know, but this miniature Argentinian woman who lives in Boston is one of the best screamers and computer noise artists I've ever seen live. I think she's finally got some tapes and records coming out)
Extreme Beer Trio (cracked out comedy-noise-metal-rock.  They also have a recording of them singing fucked up songs while riding on freight train. so unknown...)
Family Pet (another group of weirdos from rural Maine. They did finally make a terrible LP that I'm sure no one would ever want to hear, but the recordings on their myspace used to be so fucking evil. Sounds of metal scraping and saxophone/groaning)
Dan Knudson very unique and subtly bizarre savant pop from Portland, Maine.


Special Mention - Flaming Dragons of Middle Earth.  I can't fairly rank this group because I've been one of the members for 5 out of the 7 years of it's existence.  I can say however, that we are one of the most unpopular bands in existence.  FDOME has played countless shows to crowds of 15 or less from Portland, Maine to Harrisonburg, VA.  I think people think we're some kind of sick joke, ya know? "Throw the kid in the wheelchair up on the stage in drag" and all that.  Couldn't be further from the truth.  Front man Danny Cruz is one of the most charismatic, entertaining and spiritual singers I've ever seen perform or had the pleasure to play with.  He's the creative force that has drawn over 20 deep-weirdoes into his orbit (some of whom appear on the list above) and I urge you all to become inspired by his muse: http://flamingdragonsofmiddleearth.blogspot.com/.

Okay, that's all for now. This has been fun.


End of the Year List


10 Favorite Tapes of 2012

I cannot claim to be much of a list maker. End of the year music lists are especially difficult for me because when I'm jotting down my "best of" recollections, I'll inevitably remember a title days later that is just as worthy as another title that did manage to pop into my ol' skull. Its tough to "settle" on any final list. What follows could easily be different just days from now, but ah - fuck it, 'ere goes...So, here then is a list (in no particular order) of my favorite tapes of 2012. Note: these are all tapes I personally reviewed...I liked quite a few more, but there has to be a cut-off...

Salsa for Spanish: Teen River Talks

Teen River is a label that spoke to me both musically and visually when I first started receiving tapes from them in the mail earlier this year. They stood out with their wildcat midwestern madness and eclectic musical catalog. TR is not yet one year old, but they've released well over thirty tapes - in fact I believe they're over sixty titles now. I'm lucky enough to be in a position as a music fanatic, writer, and musician to get to the bottom of these kinds of crazed theatrics, so I figured it was time to talk with someone (anyone) associated with TR. Label co-founder and musician, Gordon, was willing to talk with me one hot August night about his label's beginnings and why Chicago has one of the best damn tape (and music) scenes around today.

JD: Hey man!
Gordon: Hola. That’s salsa for Spanish. What’s up?!

JD: Thank you for taking time to chat. I'm really digging the label.

Gordon: Thanks dude that means a lot. [It’s] hard to get people outside of Chicago to listen these days.

JD: Understand that…

Gordon: The music community in Chicago though, whoa! It’s exploding.

JD: Seems that way.

Gordon: …but in this non-mainstream way.

JD: When did you start up?

Gordon: I moved to Chi in ’07 and started the label in Dec. of 2011. I started with a friend, Katrina Stonehart - we both lived at this space called Ball Hall.


JD: When you moved, was it for music? art? life?
Gordon: No idea why I moved…

JD: Where from?

Gordon: I was living in a small college town Manhattan, KS. I’m from the Kansas City area. I went to college at KSU.

JD: Were bands playing there? making music?
Gordon: Yeah. It was kind of nice because there was basically nothing alternative there. We started booking shows in a basement and also at this bookstore. Got a lot of heat from the rural college folk. It’s always a cool feeling starting something where you know nothing is going on.

Dude I started Teen River with was not there, he was traveling in his band Baby Birds Don’t Drink Milk. On the way to SXSW one year I stopped in Manhattan, KS and there Katrina was. For some reason I asked him if he wanted to go to SXSW then move to Chi with me, and then it happened.

JD: Cool, so after you arrived in chi-town, how did you arrive at “cassettes” as the vehicle for success?


Gordon: Well I started booking shows at this place Ball Hall in 2008. It goes off with a BANG. Shows were never in such high spirits. I was booking for touring bands and getting every single Chicago group I could get my hands on to play there. It was going over so well, really felt like the community was growing into something super energetic, raw, and full of TALENT!

Then Katrina moved in like in 2010. He had always inspired me. He has this tape label called Solid Melts - loved everything he put out. He put out a split with me (Famous Laughs / Sea Priest) and I was stoked. We started jamming a lot and playing a few gigs going under the name Headless Horse Head. Recording to 4 tracks like EVERYDAY. Days and days worth of material on tapes somewhere in a box. So we basically just started Teen River as a way to put out this material. We had a bunch of other friends who were making music like J Fernandez, Vehicle Blues, Potions, Big Sandwich, Spooky Moon, etc. so we just decided to throw a giant party at Ball Hall and release 12 different tapes all at once...that was in December.
  
I really think though, ball hall had a lot to do with this label’s start. I had so many great relationships with people thru that place, it was a great place to play - a giant ballroom built in like 1933. Sounded amazing in there
It’s always amazing when shows can happen in basements and such, but when kids can throw not only huge 200+ people shows, AND get it to sound good, felt like something was going right.

JD: How did the name Teen River come about?

Gordon: It came about because Headless Horse Head used to practice at this shitty warehouse space that had a soda fountain and one of the soda’s was called Green River. It was this intensely green soda, looked like radiation. We’d drink like 3 glasses of it and jam.

JD: Are you more into the label or making music as an artist?

Gordon: Good question! I love doing both because it allows me to take a break from one or the other. I’d say I have more of a supportive presence in Chicago than a musical one, but I still play out a ton and record weekly. I also record bands at TR headquarters.


JD: What gear do you use to record bands?

Gordon: Tascam Portastudio III, a nice tube pre-amp, an old Tascam mixer, some shitty and not-so-shitty mics. We got a killer drum set that was given to POTIONS (who I live with). We also got a Fender Vibrolux, UNIVOX and Heritage guitars, an endless boat of keyboards, Rhodes, Roland space echo…

JD: That’s a pretty great set up.

Gordon: You record?
JD: Yeah, with the assistance of my younger bro who is a "trained" recording engineer. Though I prefer Tascam machines and bedroom set-ups.

Gordon: Hell ya! I love the bedroom makeshift set-ups because I’m endlessly and ALWAYS happily surprised at the outcome. I don’t like real studios.

JD: So you and Potions are active with co-releases via his Pretty All Right label, how did that come about?

Gordon: We’ve been in a band together for a few years now, called Distractions. He lived at this awesome loft space called Halfway Lounge and my projects played there, I started jammin’ with him…His songs are amazzzzzing

  
JD: Why is Teen River so prolific? How do you manage it all?

Gordon: The way I work is weird. I work in moments of furious calamity...and that’s just what I look for…There’s all these kids that know they have an idea, so I push them to just get it down. However it be.

That’s what I’m looking for. Those really intense two-week sessions, making an album you didn’t really know you could make. More often than not the outcome is so great. I’m fortunate for that. There’s a lot of talent around here.

JD: Where do you get your tapes and how do you dub 'em?

Gordon: The tapes I get from various sources, National Audio’s got some good deals, or Delta Media has different lengths and colors. I dub them myself with tape decks, but I got a nice system via computer/interface.
All machines are calibrated with a test tone.
  
JD: And the art...who takes charge? You guys? The artists?

Gordon: Ahmm it depends. It’s a mix. I do a lot of collages, etc. I usually ask if they want me to do the art. It’s up to the artist.



The Christmas Bride in the studio.

JD: TR tends to release large batches, what's coming up in the future?

Gordon: So much! Sept. 19th is next batch, watch out for this group Mako Sica. They are bizzareee. Oh and another tape, Sen Di Nah - major head boggle. Chicago is strange and weird. While there’s a lot of straight pop music, there’s infinitely more fucked up, damaged weird shit.


JD: Do you guys have a preference for mind-fuck music or more guitar (i.e. band/"song") oriented stuff?

Gordon: Definitely not preferential on that. I have projects that go both ways (Headless Horse Head vs. Famous Laughs) and I’d say that maybe one will get more reception due to accessibility, but that is also a subjective thing. Chicago has great reception for the weird and wild, especially live. Kids will definitely come out to rage at a weird show…definitely a community to experiment in.

I mean just last night...[ed.note: Aug. 7th] the Empty Bottle (straight up one of the best rock venues in America) held an insannnne show for this scuzzy punk free jazz group called Tiger Hatchery, and ONO played - they’ve been around since '81 - weird dramatic, dissonant, theatrical jams…girl came out in a wedding dress and sang “Blue Velvet.” You better believe it was PACKED. Show of the summer for sure.

JD: Sounds like a demented hallucination.

Gordon: …but it’s telling, that music is very, very inaccessible - more cerebral I guess. You gotta be wired a certain way, but like I said, with all that weird stuff - comes the other side. The straight pop is unbelievably good here.

JD: That’s why the label is so good, the sheer diversity of the music!

Gordon: Yeah and I mean, I’m just like one of a billion labels here.

JD: I like Spooky Moon - some psyche-retroish, but not bullshit ya know?

Gordon: For sure. That kid is a great songwriter. He kind of just showed up outta nowhere this past year. [He] does all those recordings in his bedroom by himself. I play drums with him live sometimes.

JD: Where should people start when they discover the label?

Gordon: Well I guess Bandcamp is the best place to start if you want the back catalogue and if you want to buy. Otherwise there’s the two soundcloud's: http://soundcloud.com/teenriver
  
Since this is very community based, most of the tapes are long gone and I’m not too interested in doing reissues unless I see a big demand. So maybe the best place to start is really just with the new batch and subscribing to newsletter. I just add your email to a contact list and send one out once a monthish.
JD: Any last thoughts?

Gordon: CHICKEN FINGERS ARE SOLD OUT.