Showing posts with label Funny/Not Funny Records. Show all posts
Showing posts with label Funny/Not Funny Records. Show all posts

DROOPIES “Responsible People” (Funny/Not Funny Records)


You can throw psychedelic rock, punk, and shoegaze at a wall, and lots of it will stick, I’m here to inform you. Droopies are not the first to do this, nor will they be the last. If I had to guess, they’re right smack in the middle of that spectrum, maybe the exact 50-yard line of music’s existence (although that would be the 50-yard line of the Linc, not the Spectrum). (It’s a Philly thing.)

(Droopies are from Philly.)

At times ethereal and quite pretty, at others blisteringly overdriven, at all times anchored by Chris Harmon’s dreamy-ass vocal work, “Responsible People” is essentially an indictment/cautious embrace of responsibility as one grows older. I imagine that being a couple of young guys in a band tilts the responsibility meter sort of toward “not terribly responsible,” but who am I to judge. These guys could easily share a bill with Philly buddies Thinking Machines (if of course this was ten years ago and Thinking Machines were still together) (reunion rumors!).

Lots of that stuff sticks for Droopies. “Responsible People” is excellent fun.




--Ryan

BORROWED BEAMS OF LIGHT/NEW BOSS split C60
(Funny/Not Funny Records)




My first serious girlfriend and I were together for 3 bullshit years. I qualify ‘bullshit’ for sensational purposes, but, really, in retrospect, I’m sure she’d agree that our being together 1997-2000, based on an affinity for rebellious coitus in forbidden places, skateboarding (pooooorly), and listening to (even wooooorse) chugga-chugga-chugga hardcore Xvegan-straightedgeX bands, could easily be considered ‘bullshit’. So, I say it again, ‘bullshit’. Robert Pollard, of Guided By Voices has a slew of bullshit soundcheck/diatribes collected and pressed to vinyl that he has drunkenly spewed, on stage, not “unwittingly”, with recording equipment pointed at him, in or near Ohio, where I was born and raized. BBoL, from Charlottesville, NC have posted, in a bio, that they are “influenced by GBV and Harry Nilsson”. We share that irreverent love for pop music and the desire to throw Elephant 6 Collective - style wall - of - sound - instrumentation in the buried background. My 1st-Ex- once told me she had had Mr. Pollard as a teacher in highschool. Whenever the class’d get antsy, he’d have them “jump up on their desks and play air guitar for a few minutes.” She went to Col. White…and I’m faily certain BP didn’t. BBoL aren’t either fully honest or cognizant that they, too, love Brian Wilson. Pop music remains.

The former and 2nd’sider-Caroliners have a lot in common, both in past and future members? I wonder, with Bill Doss’s passing, oh, who will take up the pop/psych-baton, and I also more-hopefully-wonderhope that one of these members will bring us into the 2020’s with wider eyes; not just to witness, but appreciate how many harmonies and contrapuntal melodies can fit into a pop song, whether it’s paying homage to New Order, Emitt Rhodes or ELO. Have a listen yourself with the links down below…

and/or


- - Jacob An Kittenplan