Showing posts with label german army. Show all posts
Showing posts with label german army. Show all posts

GERMAN ARMY “Animals Remember Human” (Crash Symbols/ArteTetra)


This one’s for the birds.

Animals Remember Human was recorded by German Army in 2018, which also happened to have been the year of the bird. Is it fitting, then, that Animals Remember Human is “an ode to critically endangered birds and their habitats”? Or is it just a confluence of cosmic events that GeAr happened to choose this theme in this year? Or maybe some kind of divine entity intervened to make it so? Although the latter option is tempting, I’m going with coincidence. German Army’s always making an important statement, it’s only ever a matter of time with them before themes and events start aligning on a yearly basis.

Is it also coincidence that the laptop used to create this album kicked the bucket immediately after the masters were sent off to Crash Symbols and ArteTetra? Look, who knows at this point – all I know is that the digital harbinger of the destruction of habitat was itself destroyed not long after completing its work. Say what you will about conspiracy theories – and I only buy into the ones that are true, myself – but this sounds like the work of some nefarious underground organization. One, of course, whose very existence and operation was threatened by German Army’s whistleblowing.

That’s why it’s important to give Animals Remember Human a platform big enough to reach the masses. It has a story to tell, and it tells it in the best German Army way possible: through a lengthy song cycle strung together from field recordings and samples, rigged for maximum exposure. Of course, when illuminating the plight of our avian friends, there’s a sense that expressing the quiet majesty or grandeur – or even relative modesty – of their habitats, their patterns, their cycles may be more effective than grabbing us by the nape of the neck and rubbing our faces through the gravel of the human indignities we purvey, as is usually GeAr’s wont. It’s true: ARH is more laid-back and zoney than usual GeAr fare – I’m not going to refer to it as “proto-industrial” or anything like that this time around.

Instead I’m going to refer to it as nature-doc electro, because that’s a term I’ve never used before, and I’m gonna give it a go. The music rolls around your headphones like it’s meant to be there, checking out the place, figuring out where it’s going to sleep later on. It doesn’t take long to make itself at home, and you’re left fluttering from downtempo collage to bare-bones banger like they’re branches on the same tree. What did I tell you up there? This one’s for the birds!

And the humans who like birds. Along with other humans. You can get with that.




--Ryan

SAVAGE CULT / GERMAN ARMY “Split” (NEN)


Savage Cult and German Army are peas in a pod. The pairing of the Rennes, France, producer with the San Bernardino, California, misfits is an inspired one. Kudos to Russia’s NEN Records for roping these two together and allowing them to share some space, one side of a cassette tape to the other.

We know German Army, the tribal-industrial duo ripping the curtain back on the atrocities committed on a global scale. Sifting through their discography reveals an annotated anthropological record of Herculean proportions, each tape and record and compact disc a reminder of cultures/languages that are dying/have died. The extinction of human branches due to active interference from others is an incomprehensible evil, and GeAr do their best to bring awareness of that evil to the forefront.

Savage Cult brings a similarly sinister vibe to the table, with dank, tom-heavy percussing cutting through vile ambient synthetic atmospheres. His side A moves effortlessly to GeAr’s side B, and you can really see a theme here with the tracks: “Ashes at the Gates,” “A Solemn Procession,” “Blood in the Throne Room,” “A Master without Power,” and “Only Darkness Speaks to Him.” I wasn’t going to list them all, but then I couldn’t stop. These heavy themes seep into the music, filling every second with constant discomfort and dread. As such, it’s easy to love.

German Army does THEIR THING. Every time I put on one of their releases, I’m enraptured to the point of losing myself in whatever it is they’re calling out at that point. I often find myself in a Wikipedia rabbit hole or something. Dear German Army: Don’t ever change.

This split explores World War IIera Japanese American internment camps through harsh electro-industrial beatscapes. Always the proverbial “jagged little pill” with these guys.




--Ryan

GERMAN ARMY
“Year of Solitude” C46
(Castle Bravo Tapes)



It’s generally German Army’s MO to travel to some inspiring, non-USA spot, get a feel for the local vibe, bottle that up, come on back to Pomona, CA, & infuse it with their own brand of cyclical noise, so “Year of Solitude” is quite the departure. Instead, it sounds pretty much like each person spent a year locked up in separate Hoosier storm cellars, huffing black mold & communing with the half-frozen moans of lead water pipes and hollow knocks & internal explosions of coal-burning furnaces. It’s grimier, heavier, more industrial*. 

There are still a few Eastern-tinged themes visiting a handful of tracks, but all in all, this release stays solidly just short of spooky, certainly ominous, & most definitely top-quality GeAr output. 


—Jacob An Kittenplan

*straight up “Mind: The Perpetual Intercourse” vibes up in here!

GERMAN ARMY “MOVE9” C50 (Fort Evil Fruit)


Get fucking restless. “MOVE9” “refers to members of the Philadelphia black liberation group MOVE who were controversially convicted for the murder of a police officer killed during a raid on their residence in 1978. Six of the seven surviving members remain imprisoned.” This is the German Army MO. This is always the German Army MO. Forever shedding light on the casualties of capitalism and calling out the perpetrators, GeAr rip through another tape of destroyed dub and industrial mayhem. As always, I feel angered and empowered in the wake of it.

What are you/I gonna do then? There is rhythm in my bones, and does it get me off the couch where I am comfortable and consuming or is it powerless to stop the tide of world markets? Well, I guess it is actually pretty powerless as the GDP of all the nations of the world wash over me and consume me and spit me out and don’t think twice about it. Money doesn’t have feelings anyway. That’s why we’re faced with situations like that of MOVE. Agitators get dealt with.

GeAr never gets old. GeAr never dulls. GeAr is a voice that must be heard, like underground broadcasts infiltrating the mainstream, but repressed in a totalitarian state. We’ll see where this goes. Till then, “MOVE9” remains another stellar entry in the German Army catalog.




--Ryan

GERMAN ARMY "Kowloon Walled City"
C45 (Null/Zone)




There’s an anti-didactic adage to be gleaned from DFW’s infamous commencement speech, “This Is Water”, in which two young, budding SoCal electronic music artists are walking along on a road towards Joshua Tree and one of the Bishop brothers comes waltzing by and says, “Hey, boys, how’s the German Army?” And then he walks off to get a frenchfry-stuffed burrito or something. After that, those two young, budding SoCal electronic musicians just continue walking along for a li’l bit until one says to the other, “Who the hell is German Army?”

Goddamnedest thing about the word “ubiquity” is that we’ve been using all those letters for other stuff the whole time…

This cassette is already sold out, of course, like every single other cassette I’ve ever received for review by them.  Why the hell does GeAr even bother having people review their stuff if we’re all just buying the damn tapes anyway, well before anyone has a chance to say a damn thing about them? Are GeAr just hoping we’ll continue to assure their rabid fanbase that they haven’t jumped the shark and started indulging in quality-reducing drugs like the Rolling Stones did or something?

Well, they haven’t, okay. Not a lick.

KWC is fanfuckingtastic, just like you’d expect. Groovy, yet reservedly driving, respectfully paying homage to the world’s diverse flavors and swaggers whilst adding a smidge of their own electronic spice, where they see fit, to further sharpen the edges. Perhaps they’re hoping someone’ll get inspired to start a well-meaning cult? Their (primarily tribal) beats ARE undeniably entrancing like that. Yeah. Solid cadences, simple-yet-effectively-bewildering accents & counterpoint. Ceremonial. Quite culty, for sure.

&if you’ve never seen footage* of people walking though the concrete veins of Kowloon Walled City, may I unhumbly suggest you get on that shit right now, while listening to this tape, cranked up LOUD?!

*https://www.youtube.com/watch?v=An1D1OC5EMA
Disclaimer: Neither CG nor I can vouch for the accuracy of the claims made in said video.

https://nullzone.bandcamp.com/album/kowloon-walled-city
and/or
https://germanarmymusic.bandcamp.com/

-- Jacob An Kittenplan

GERMAN ARMY “Pacific Plastic”
(Seagrave Records)




German Army seem weird at first then they get really neat. The murky industrial slurry is green and firey. Echos of the life of a plastic object collector. There are triumphs. There are low points. There is boredom. Signs of life are present, enshrouded with globulous glitter and glucose on wrappers with the shiny foil interiors.

The recording microphone seems like it was held up to a bulbous blown out beast of a speaker. Track 8, Janjangbureh could very well use a Bjork sample, or it sounds like her voice. Strings and metal, clinking and clanking, some ritual rainforest loops, some hard footsteps, eerie ghostly warehouse of gym equipment buzzing in the dark.

Pacific Plastic

--Adam Padavano

GERMAN ARMY
“Blue Green Depth”
(III Arms)




You can’t read this -- it's a redacted document. Let’s pretend you didn’t even see it on my desk. I have to get it down to Archives before the end of the day, and I haven’t even blacked out all the sensitive information yet.

Are you just going to stand there while I do it? OK, but don’t read anything as I’m working. Like I said: SENSITIVE INFORMATION.

OK, I’ll give you the lowdown, as long as you PROMISE not to tell anyone. Seriously, this conversation is not happening right now. I could go to jail. Gitmo, maybe.

So what do you want to know about Operation: “Blue Green Depth”?

You’ve heard of the “German Army,” right? You should have -- this office is littered with evidence documenting their existence. This “German Army” uses a form of sonic warfare to infiltrate the population, then they pump their scandalous message into unsuspecting minds by subliminal means.

Yeah -- "Blue Green Death” is nefarious. Nefarious and catchy.

Turns out that most of the “scandalous message” is true -- and you know we can’t let the truth get out, right? That’s why we REDACT all this stuff and send it to Archives where no one will ever see it again.

If we allow the general public access to this information, there’s no telling what could happen. ANYTHING IS POSSIBLE.

German Army

III Arms

--Ryan

GERMAN ARMY - 3 tapes



GERMAN ARMY
"Kurgan Hearth" C39
(Os Tres Amigos)

What do German Army, Andre the Giant, Albert Einstein and a tweaker covered in baby oil all have in common? They’re pretty much impossible to pin down! Yes, you guessed it; GeAr continues to blurrr the ever-loving-shit outta the boundaries between industrial, ambient, tribal, and devotional genres, melding their disciplines like scratching an itch your third eye didn’t know it even had. Both expertly innovative and bewitching, this hypnotic (too upbeat for “hypnogogic”) document transports half our brains to distant Promethean ceremonial circles while dragging the other half along the exhaust-blackened walls of occupied underpasses soon to be “under construction” again.

This somewhat recent release (out of Portugal) is one of (well?) over 60 others (for GeAr) and is already sold out (of course), so give it a spin on the ol’ bandcamp (link below) and keep your eyes peeled for more brilliance in the (likely NeAr) future.

and

-- Jacob An Kittenplan

---------------------------------


GERMAN ARMY
"Pyura Chilensis" C35
(Luce Sia)

I could see GeAr putting out a cassette in each of the 195 countries in this world by 2020 and each and every goddamn one of them being worth the shipping/smuggling cost. Seriously, this prolific project kicks out the…well…not “jamz” per se, but some seriously entrancing tracks of the industrial/ambient/tribal/devotional/fusion variety. And just what the fuck exactly does that sound like? Well, it sounds like German Army. 

This time around the globe, “Pyura Chilenses” comes out of Switzerland, and it’s a decidedly colder, more industrial offering, and just as Rock Solid as ever. My favorite track (Kaleteur Mist) pairs such disparate timbres as Andean flutes (field recorded, wafting over a valley?) and frenentic, blown out, metallic drum machines rattles that could be mined from any number of construction sites. Dynamically navigating the levels of attachment, GeAr evoke feelings of detachment and overwhelming mood-swing (of the chill variety), and it’s a damn fine trip! 

Strongly recommended for anyone who loves the early Skinny Puppy instrumentals/interludes.

and

-- Jacob An Kittenplan

---------------------------------




GERMAN ARMY 
“Swidden” 
(Total Black)

“Swidden” is yet another psychic onslaught from San Bernardino’s finest purveyors of ambient industrial wreckage and postapocalyptic sonic doom. Here we find the group on Berlin’s Total Black, a total perfecto match and a total win for central Europe. A total win for us Americans, too, as we’re able to purchase things from other countries and have them shipped to us here in the States. Bet you never saw that coming.

There’s also the digital files, but what’s the point.

Brilliantly earwormy as usual, German Army tracks wriggle around like arthouse nature films, like insects in the throes of predation. These tunes burrow into your brain like rat lungworms, parasites that feed off the very activity they create. In fact, the pulsing electricity created by brainwaves reacting to “Swidden” is sheer nourishment to a vast ecosystem internal to the human body. I’m certain you’d be super grossed out if you levied it with any degree of scrutiny.

“Swidden” is not for the faint of heart. German Army is never for the faint of heart.

German Army 

Total Black


--Ryan Masteller



GERMAN ARMY “Pacific Plastic” (Seagrave)




Let me read into this.

First, that cover is what, a … cross-section of something? Looks like it, and judging by the release on SEAgrave and the term “Pacific” in the title of PACIFIC PLASTIC, I’m going to go with a cross-section of ocean, no matter how alien it actually looks. Maybe it’s an alien ocean. Maybe it’s the Pacific Ocean after generations of evolution. Why else would it contain odd polygons? Because aliens use polygons in the oceanographic studies. DUH.

I mean, I’m obviously wrong. Most of the track titles point to places that don’t even come close to the Pacific Ocean (actually having more to do with Africa), so let’s talk oceans in general, and civilizations that border them, rely on them, etc. Or let’s not – you need a break from me doing that, don’t you, digging down into some rabbit hole to follow a red herring or other crammed-in animal metaphor that will only bring ruin and frustration? Eff it, let’s just listen to this thing.

Maybe you’re expecting this, but tribal exoticism wrapped in proto-industrial electronics is the German Army way, and PACIFIC PLASTIC is no different, for the most part. And even though that sounds like a distinctly active description, the mood is a languid one, borrowing from equatorial summer afternoons. This is as relaxed a vibe as GeAr is likely to get without going full Peter Kris ambient on us (save for a couple spots, like the title track and “Svaneti in June”). What we get are meditations on scenic vistas stretching to the seas, of national parks and tiny islands, ancient kingdoms and towns bordering safari camps. The sounds could easily complement a nature or anthropology documentary or a film set in a location mysterious and unusual to Western eyes. Regardless, GeAr tap into indigenous wavelengths, reveling in the environments that humanity hasn’t fully destroyed yet.

Where does that leave PACIFIC PLASTIC? Is it a call to reassess modern civilization through a different lens? Is it an admonition of our reliance on the manufacturing sector? I wonder, then, if it’s bad or not bad that I have this plastic tape in my possession. I guess if I don’t throw it in the ocean, I’m in good shape. Enough – I already said I wasn’t going too deep here. And Alien polygons… what an idiot.

German Army
Seagrave

--Ryan Masteller

GERMAN ARMY
“Concrete Colored Paint”
(Several Minor Promises)




While this review risks becoming white noise amid the unrelenting whirlwind of positive GeAr praise, it might behoove us to get down to the elemental nature of the mysterious California weirdos and remind ourselves what’s so great about them in the first place. The elemental nature. Because I can’t just say “GeAr = good” and move on, even though I’m tempted to do that what with the jaw agape and the drool puddling in front of me as “Concrete Colored Paint” plays on my stereo. Typing is hard in this state.

Item number 1: festering synthesizer and/or guitar work. You might think of the term “festering” and be immediately turned off, but German Army isn’t food and musical instruments don’t smell funny unless they’ve caught on fire somehow, so … get over it. No, the sound is molten, uneasy, slippery, hard to pin down when it’s bubbling like a lava flow one minute and pixilating in a hyperspace starburst the next.

Item number 2: rhythm in the bones. German Army has two settings, dub and tribal, and they use both to great effect, creating an industrialized crawl that pulses through the night and forms the backbone of their writhing tracks. While listening to “Zozobra” I realized that I have not nodded my head like that since Busta Rhymes dropped “Woo Ha!” like a million years ago. (“Zozobra” should not be confused with “Woo Ha!”)

Item number 3: dark, gripping soundscapes. Every moment is a harrowing one for German Army, doesn’t matter if it’s a film soundtrack moment like “Night Convict,” a tense nocturnal video game atmosphere like “Every Hole Dug,” or an ambient denouement like “Landowner.” Expect the tunes to be sharp and dangerous, sly creatures that penetrate your being and wriggle around inside your mind until you’re mad as Sam Neill in Event Horizon.

Did I just reference Event Horizon? Probably. All this to say, “Concrete Colored Paint” is a complete distillation of everything that makes German Army a great act, and while you’d think their intense release schedule might cause some dilution of the old creativity reservoir, you’d be wrong. “CCP” is one of the best GeAr releases in recent memory, and that’s saying something among all the quality tunage. From start to finish it sinks its long, needle-like claws in the base of your brain stem and manipulates your every function. It practically commands you to play it a second time once it ends. “Concrete Colored Paint” is just that persuasive, that compelling. It might even make you do things you don’t want to do, like build altars to weird gods and chanting all night to them in supplication.

Who said cult? They’re probably a cult. A doomsday cult, where the world ends as the result of a time disruption that winks it out of existence before it’s even formed. Too bad GeAr’s music’ll disappear with the rest of us.

German Army
Several Minor Promises

--Ryan Masteller