Showing posts with label I Had An Accident Records. Show all posts
Showing posts with label I Had An Accident Records. Show all posts

WILLIE GREEN PRESENTS PASTENSE
“Paper Seatbelts” C64
(I Had an Accident Records)



For some reason, Side B of this album does it for me (tracks 10+) so much more than the first side. Maybe it’s the more adventurous backing music (Side A has the standard R&B backing band vibe) or the grittier issues of depression drinking & getting booted from the pub (backing music corresponding perfectly with bar-sweaty BBKing recollections).  Next follows by a song that really reminds me of MOOD’s “Doom” album (a criminally overlooked mid-west gem with Talib Kweli & DJ Hi-Tek strong hands in the mix) with non-western backing. There’s lush orchestration throughout, with plenty of guests to mix it up, including a remix with Cannibal Ox. Check out the links below.
                   
and/or


- - Jacob An Kittenplan

The Lost & Found Sound (Time Lapse/ I Had An Accident)



    The sound gurgles along; leaving whatever is in its way behind. These sounds are so sure of themselves. They keep building up and moving away, constantly multiplying before they splay out into the tonal universe. I’d imagine this is what raising a child might feel like if you sped it up by x1000. While you stay the same they forever grow and you see them still, but in a different way each time. I think this is most compelling thing about the music that “The Lost & Found Sound” (Stacy Stephens) creates.

    While a lot of electronic music seeks to deal with the ephemeral and time, it doesn’t always hit the nail on the head. The threshold that has to be reached to push a listener over is very specific and to me most people fall short of this mark. However, Stephens does a remarkable job of placing the listener in deep thought. Of the two he sent me I listened to “All Day Déjà Vu” out on (I HAD AN ACCIDENT) more than I listened to his split with Walter Gross out on (Time Lapse). This was not because one is better than the other, but because All Day Deja Vu is more of a complete piece. Stephens doesn’t hold back on this one. He goes straight into the deepest chasm and lets you float wherever you feel. Either way you could get stuck in this music forever.

    Packaging wise these tapes look pretty solid, your standard case and j card set up. I prefer the aesthetic of the split to the solo work. A great addition to a collection for any electronic noise addict, the labels have sold out but Stephens still has some copies left over on his personal bandcamp! 

Listen and Buy HERE

Son of A Bricklayer - Moose Without Antlers c24




Son of a Bricklayer was a name I was unfamiliar with but upon receiving Moose Without Antlers with its stunning orange shell and beautiful artwork I was excited to hear what I was seeing. Moose Without Antlers may be the intriguing name that I never understand - possibly the name of a weird sex position, one could only imagine. At first listen this tape blew me away. I am a fan of the drum and this album delivers - pure dream drum beats like I have not heard in a long time - tight breaks and slamming beats that knock off the ghetto blaster speakers. Deep down I realize this is the tape I've been dying to receive. Not just a drum and bass type of album - this features fantastic soundscapes that are alluring and hypnotizing. They complement the beats in such a way that I feel is uncommon in the realm of cassette culture. Well produced tape with beautiful artwork. Congrats I had An Accident for another great release.

Babelfishh - Eyeless Terror c32




Babelfishh has a long history of working with some great producers within the beat/hip hop scene. Split releases with Astronautalis, Oskar Ohlson, Tenshun, Filkoe, BeastMaster, and Edison have all shown the diversity of his talents. Eyeless Terror is not a typical beat album. In fact, its hard to call it such as all - blending thrash metal and noise into the beat style Eyeless Terror sounds more like a straight up noise album with thrash style lyrics. Self proclaimed garage racket the opening track "Vomiting Wallets" starts off with an intense guitar riff followed by a rattling of words and a crushing beat all behind a tenable noise frequency - this track really brings you into the entire album - each track following further identifies Babelfishh as out of the ordinary. Artwork was printed on hemp paper and features a collage style scene of a raccoon with knives and an eyeless George Washington. The tape itself is on lime green tapes - a rarity that I haven't seen much before. By far a surprising release that will receive much play in the tape deck.
Purchase this from I had An Accident Records for a mere $5