Showing posts with label Night People. Show all posts
Showing posts with label Night People. Show all posts

HYLIDAE "s/t" C30 (Night People Records)




Armed with ‘90s upbeat techno aesthetic and ‘10s dubstep modularly-shifting atonality, Hylidae massages together every single trope among the two (and all subgenres betwixt- minus obligatory metronomic pulse), thus culling this vast expanse into one techno-cosmic blackhole’d tome-in-concentrate.

&while the first few minutes might have us wondering if this is just another multi-layered pop-fest collage of major-chord vaporwave phrasings, the progressively erratic transitions between riff, melody, harmony, &rhythm all seamlessly coalesce into one solid, energetic (I did dance; like, a lot) journey that, due to convoluted arrangement, proves well worthy of continued revisitations. This is a pretty rad debut, and I’m really curious as to where Hylidae goes from here.

https://hylidae.bandcamp.com/album/hylidae
and/or
http://www.raccoo-oo-oon.org/np/index.html

-- Jacob An Kittenplan

ROMAN NAILS "Chiseler" C15
(Night People Records)




Roman Nails is a dude and his looped modular synthesizer and countless pedals and an old drum machine.
Roman Nails is ominous as fuck, enchanting/possessing various parts of the body, jerking them sporadically. This is known to many as dancing.
Roman Nails is Steve Reich’s maybe distant millennial nephew, ‘lectrifying polyrhythic phrases, converting them to the dark side.
Roman Nails’s “Chiseler” is incredibly short, but listenable to over and over again cz you totally missed like at least TWO of the SIX or so layers the last time they came around.
Roman Nails is the reason you own good headphones.
Roman Nails is a fitting contributor to Night People’s mind-warping roster of awesomer.

https://soundcloud.com/romannails/sets/chiseler
and/or
http://www.raccoo-oo-oon.org/np/index.html

-- Jacob An Kittenplan

ZINA "Furniture" C22
(Night People Records)




Zina sculpts infectious synth-pop earworms on her lonesome, enlisting little more than her cotton-candy alto, a drum machine (stuck in ‘80s mode), and a handful of varying synth riffs (&modes, &drones, &basslines & swells, & simple contrapuntal melodies), each turned up to eleven, all (the synth dynamics) hosting stock-nostalgic timbres that both amplify And shimmy right through her vocals. The real kicker for me is in the genius mixing, because, while that voice IS gorgeous, it merely hush-hushed’ly swims in the mix juuuust above the surface of said beautifully arranged minimal synth compositions, only modestly commanding to be the focal point, if not outright sharing the spotlight with said synths, altogether.

The end result is a trance-like pop soundtrack that is easy to get lost in and easy to let get lost in the background, only to have one of the many hooks bring you right back from your thoughts a moment later. Each song has it’s own individual identity, yet they all share in the dancy-pantz ‘80s love. The last song is a serious must hear, so strap on the headphones & play loudly!

Also, to note, I got FOUR Night People tapes in my review package last month and really gotta hand it to the good folx over there on an outstanding aesthetic, both on the physical J-Card, as well as the sounds contained therein. More please!

https://zina.bandcamp.com/
and/or
http://www.raccoo-oo-oon.org/np/index.html

-- Jacob An Kittenplan

LOS GREYS "Dead Ringer" (Night-People)




Shall I compare thee to a depressed R Stevie Moore? Thou art likely much more happy in actual life. Definitely a humorless R Stevie Moore, although the vocals are so heavily effected who even knows. Maybe it's subversively lyrical content, maybe it's erotic pop porn. A different breed than most Night-People releases, this cassette of scuzzy surf songs is totally palatable and exists snugly within the range of acceptable music. With trombone! Mastered by Ryan Power.

https://losgreys1.bandcamp.com/

-- Alaina Stamatis

PRINCIPALITY “Glass CS” C26 (Night People)




Morrissey’s spirit is still alive and well. As distracting as he’s been in the recent past, fighting with his record label, getting felt up by airport security, and writing stuff like this in a book that I’ll probably never read, he remains, in my mind, one of the best songwriters of his generation (along with, of course, his Smiths bandmates). It is an undeniable fact. So when I hear that he’s teamed up with Rio-era Duran Duran for a six-song tape for Night People, you can bet your very last farthing that I’m thrilled beyond thrilled.

“Say what?!” you incredulously gasp, and I don’t blame you – the news is false, a fakery perpetuated by me and me only. Everything I say in the first paragraph above is intended to build a comparison to Principality, a four-piece post punk/new wave throwback from Minneapolis. Their Glass CS release on Night People (that part was real) sounds like a wonderful mashup of these two great artists, and is a way-too-short burst of tuneful energy. In fact, lead track “Young Boys” sounds like a lost anthem to the mid-1980s, and maybe it was in an alternate universe where the mid-1980s hit right around 2016, the year MTV reached its broadcast rating pinnacle. Just remember, 2022 is the year punk breaks!

But back here, in our own universe, Duran Duran is old, Morrissey is weird and old, and I don’t even know what I’m doing anymore. Principality is young and cool, and instead of holding my breath for any good new music out of anybody thirty (or so) years my senior, I’m going to hang my hat on this generation instead. Because no matter whether you’re from this universe or the next one over, you’re still human, and you still have a need in your life for music that motivates you enough to dance your frustrations away. At least I think you’re human. Actually, you could have evolved in any number of ways. You and Principality could be single-celled organisms with musical chops for all I know.




--Ryan Masteller

BLOSSOMING MUMS
“Dithering Mornings” C25
(Night People)




Blurry nightcap coo
bedroom psychedelia
Reverbed delayed daze

Loosely just out of Tune/time?
I can’t tell if I can’t tell

…………….
Pretty please wear headphones
And/or crank up the decibel level.

There’s too much to miss out on.

Recommended if you’d like to hear a mash-up of early Clientele with Movietone, recorded in a cave by Liz Harris.

and/or


- - Jacob An Kittenplan

FREE MUSIC
“Kool Toad – Great Music” C52
(Night People)



Per Night People’s summary of this tape, that the majority of these songs are ‘from improvisational methods’; don’t let that fool you into thinking it’s nothing but a guy jerking off his army of synthesizers into the cosmos. Though a handful of the twenty-something vignettes here are certainly demo-like, even-more-rough-around-the-already-notably-rough-edges, that just makes the tight (yet spacey) hooks of the more concertedly crafted ditties all the better. This mix of bedroom intimacy and 3am dance-floor warrior-sweat is both booty-shakeworthy AND inspiring to all fall victim to putting recorded music on a pedestal. Definitely looking forward to hearing what FM puts out next!

and/or


- - Jacob An Kittenplan

Night-People Tape Guide

Iowa City's Night-People has so many great cassettes in print right now, that I thought I'd provide a handy guide to some of the less talked about ones.  Behold a treasure trove of otherworldly sounds.

Use http://raccoo-oo-oon.org/np/ for reference and cassette ordering.

Support underground labels and artists for "doing their thing."






















XIAO HONG YU XIAO XIAO HONG
"Black Sheep" C45 (Night People)


This tape contains, beneath it's mellow, recuperative surface, a most pleasant pathology.  Fragmented and disintegrated or backwards vocals float over reverbing synthesizer and echoing drum patterns.  Am I floating down towards infinity?  Or am I being run over by a train made out of black lights?  This recording seems to invite introspective days at home, possibly ill.  Alternately: a moss-and-lichen-inspector's soundtrack to morning tour of castle walls.

ORDER

HAPPY JAWBONE FAMILY BAND - "The Silk Pistol" c52


  Amazing new collection of weirdo folk/pop tunes, from Brattleboro's (see also: Blanch Blanche Blanche, Bruce Hart, Chris Wiesman, Son of Salami) most celebrated collective of folk/pop weirdos, Happy Jawbone Family Band. The Silk Pistol is their third, and possibly even their most eccentric full length to date, and it couldn't have found itself a more suitable home than on Shawn Reed's(Wet Hair) Night-People label. With two previous LP's on Feeding Tube Records, Happy Jawbone Family Band continue their quest into jangly garage/psych revivalism, only to float further away from a place that's overgrown with pretentious rehash, and drifting toward their own colorful hideout on a wave of loose arrangements and collaborative charm.
   
  The Silk Pistol hangs somewhere in between carefully crafted pop album and all out free-folk jam, dipping it's toes in just about everything else along the way. HJFB still conjure up more than a few moments of Nuggets style freak outs at times, but aside from the wide range of possible flower-era influences, this gang is generally pushing things in their own direction. The entire album has a sort of busted charm, and things tend to stay slightly out of tune in the best possible way. Group vocal harmonies, infectious guitar parts, and the occasional horn arrangement are definitely in their bag, but their bag is proving to be an odd shaped and constantly evolving one. Another giant notch in Brattleboro's musical bedpost, and another stunning HJFB release, perfect for late night back porch hangs.Highly recommended. Get a copy from Night-People.

LAZY MAGNET "Crystal Cassette" C45 (Night-People)


I feel like I said this last time, but the new Night-People batch really is the best one yet, not least of all because of this fantastic new tape by Lazy Magnet, a man of the world of I've ever met one.  What world that is I'm not so sure, but any world that he's welcome to is better than the one that I come from.  Take a gander at all the new releases at the label's website.  At the very least you'll want to get three of 'em...

"Sounds like a paraplegic singing a love song to his computer in the middle of the night"

And "only slices all the way open on the tenth listen."

XXX predicts: "people are going to like it."

Jeremy says "Since day one this effort was a dedicated salute to Shawn Reed and his excellent label. I knew for years "this material will comprise my night people tape and I WILL SOMEDAY COMPLETE THIS RECORDING. Remember I'm the best under these conditions"

And if you haven't got the sole Lazy Magnet LP on Corleone than you're probably missing the best album of the 21st century and I'm not even kidding.


LAB COAST "Editioned Houses" C26 (Night People)
RYAN GARBES "1965" C16 (Night People)


You know, Night-People has turned into quite an interesting pop label over the last few years.  The best music they've released of late has focused on artists who are either breaking new ground in songwriting/production (Blanche Blanche Blanche, Son of Salami and The Happy Jawbone Family Band - whose tape is forthcoming) or are simply just making really catchy music for our day and age.  This new tape by Lab Coast might fit more into the second category, but I had a hell of a good time listening to it.  They're a band from Canada that makes really catchy, only slightly weird, pop. Definitely check them out if you're into "feeling good."  The B side is a complete departure and goes of into rambling psych jamming. That part feels more like and afterthought, but will probably appeal to some folks more than others.


We also have a nice little EP from Wet Hair member Ryan Garbes, whose current music is going in a decidedly more pop direction, a la Tracey Trance. Lots of warm echo and guitar glissandos over autumnal campfire strumming. Super short tape, so if you want more, than please check out his LP on Hello Sunshine, which is in a similar vein.  Ryan did the artwork himself and it's printed really nicely.  Order the cassette direct from the label here.

LANTERN "Burned Youth" C32 (NIght People)



I had a more warm to lukewarm feeling about the first Lantern tape on Night People, but this one shows great improvement over it's predecessor.  So much so that I think "Burned Youth" should qualify as the band's first LP.  Before I was getting more of a hard rock meets sort of psych jamming, this new tape takes things down a notch and embellishes it with some folksy touches.  There's some hypnotic space rock jamming on the B side, but the whole thing is held together on the strength of the 9 songs.  Listen or buy from Lantern here.  Night People website here.

Label description:

Lantern return with a 2nd tape release for Night-People this time in the form of a reissue of a tour only cassette called Burned Youth that highlights the bands evolution over the course of 2009-2011*. Despite being a bit of a retrospective Burned Youth feels very whole, considered and complete. The fidelity of the recordings are actually a bit more hi-fi overall then the recent NP tape "Stranger I Come/Stranger I Leave". The destroyed pysched out proto punk (Stooges/Denudes) inspired squall of that release isn't really present on this more archival material. At the point of these recordings Lantern seemed to be approaching things from a more Texas/Delta blues and "Their Satanic Majesties" era Stones influence with a good bit of Texas Garage Psych thrown in the mix ala the Elevators and "Parable of Arable" Red Krayola. This is really good catchy fun music regardless and feels like its own take on classic rock n" roll aesthetics. Artwork by Shawn Reed. 

*Improvement through time travel apparently.

SON OF SALAMI "Deli Days" c26 (Night People)

http://www.raccoo-oo-oon.org/np/images/salami2.jpg
Joey Pizza Slice AKA Son of Salami is one of the most prolific singer songwriters making music today.  What put's Joey's music into a realm of greatness is an integral combination of process and product.

The songwriting is clearly great: funny, awkward, beautiful, often touching; with subject matter that is either too silly or too heavy for most songwriters (sandwiches, dead girlfriends). The washed out cassette production sound that is becoming pretty standard fare these days sounds as good as it possibly can, but it is the way he goes about making his music that truly separates him from the heard. All Son of Salami recordings are first-take tracks made up of a series of "blind" overdubs. "Joey records on a portable tape recorder from which the erase head has been removed, allowing for overdubbing at the cost of not being able to hear the music being recorded over," says Shawn Reed on the Night People website. Ever read Bill Evans' liner notes for Kind of Blue?

There is a Japanese visual art in which the artist is forced to be spontaneous. He must paint on a thin stretched parchment with a special brush and black water paint in such a way that an unnatural or interrupted stroke will destroy the line or break through the parchment. Erasures or changes are impossible. These artists must practice a particular discipline, that of allowing the idea to express itself in communication with their hands in such a direct way that deliberation cannot interfere.

During every one of his live performances, he demonstrates the process and creates a unique pop masterpiece right in front of the audience in a matter of moments. If that's not cool enough, he proceeds to toss the newly formed cassette nonchalantly into the audience, for it to disappear into the void, never to be heard from again. Some intrepid future archivists are going to have their work cut out for them when they attempt to piece together the disparate stains of this guys' unheard discography.

Pick up his new collection of songs on Night People here and you damn well better get his Feeding Tube LP right over here.

Son of Salami website

Night-People Winter Releases: GERMAN ARMY, HOT AND COLD, BOMBER JACKETS, THE GARMENT DISTRICT, SORE EROS

heyyy, I've moved down to Portland, ME...check the sidebar for updated mailing info

Iowa City's Night People issues up another batch of fine cassettes that have kept me bobbing my head in a narcoleptic haze for the past week. Gnar Tapes already reviewed the Golden Hours tape here and Bloggins and Messina reviewed the Bebe Fang release here. Thanks guys. I'd like to go on the record and say that Shawn Reed has really outdone himself with the quality of the selection with these tapes. This is "the best batch yet!"

http://www.raccoo-oo-oon.org/np/images/army2.jpg
German Army delivers a synth driven post punk spoken word artifact of very high caliber on "Papua Mass." This is really great stuff, reminiscent of Douglas Bregger's two amazing releases from the 1980s (google him). Though that stuff was a little more like nerdy "real people" music for synth fans and this is definitely "cooler." It is sure to appeal to all fans of "talking over keyboards" music. This is related to the Kill Shaman universe. Previous German Army tape reviewed here.

http://www.raccoo-oo-oon.org/np/images/hotcold2.jpg
Hot & Cold lay down rock hard dark drum machine garage punk grooves on "Conclusion Introduction," which is a reissue of a release on a Beijing label. The band is made up of two brothers, one living in Canada and the other in China. I really like this one a lot, no obscuring of the vocals at all, everything is super clear. Repetitive bass lines and simple casio damage, a la Suicide. One of my favorites of the batch.

http://www.raccoo-oo-oon.org/np/images/bomber2.jpg
Bomber Jackets is an English group with members of the band Pheromoans and their second release "Larching" is as groovy as anything on Night-People. These releases are all so good, but they all share a similar aesthetic so far with the mid tempo talk/singing over keyboards and drum machines, so I'm finding it hard to have new things to say about this tape. I really like it a lot though. If this kind of dark new wave is your thing, you should really go ahead and pick up this and the two aforementioned releases. The next two tapes veer off into different territory, so let's get to those already.

http://www.raccoo-oo-oon.org/np/images/garment2.jpg
On their debut release, The Garment District are already crafting fully fledged essential music, and showing their neighbors in Pittsburgh how it's done. Most of the music is created by Jennifer Baron (who was in Elephant 6/Merge Records band The Ladybug Transistor) and the vocals are by Lucy Blehar. Additional collaborators include Greg Lagel, Kevin C. Smith and bassist Jowe Head (of Swell Maps and Television Personalities!). This is a keyboard based album, though some guitar shows up from time to time, but it's much different in tone from the previous three releases I mentioned above. The mood is much lighter and more hopeful, though there is a hint of melancholy to the vocals. You get a little Sega Genesis, a little Vangelis a little Stereolab, but mostly you get a lot of Ms. Baron's melodic creativity. The second side is more of a collage, with some other music sampled along the way. Recommended, but ain't it all?

http://www.raccoo-oo-oon.org/np/images/eros2.jpg
Finally, we come to "Sickies Volume One" by the Western Massachusetts band of weirdo psych popsters Sore Eros. These guys aren't afraid to let their freak flag fly during their live sets, which often feature truly brokendown weirdness and deep jamming amidst their first-class song craft. Unlike all the previously mentioned tapes, this one is proud to feature guitars and drums in addition to keyboards! These boys play relatively normal songs but deconstruct them in ever so charming ways. The songs fall apart, get covered up by strange noise and peter out into beautifully pathetic codas. "Golden shit" would just about do it. Guest players include Gary War and my pal Danny Oxenberg from the legendary 90s band The Supreme Dicks (whose discography has finally been reissued on vinyl and CD by Jagjaguwar). Sore Eros definitely shares a kinship with the Dicks' burned out sounds and the group has really come into their own since moving to Western MA a year or so ago. Keep your eye on them. Highly recommended.

Find all Night People releases here. When making your tape order, you should definitely pick up a copy of the repress of the very hard to score first Peaking Lights LP "Imaginary Falcons." Really glad that one's back in print. It looks like the still have plenty of cassettes from the last run of tapes still available. What are you waiting for? Downloading that shit? C'mon!

The Golden Hours - "Floating Weeds" c25
(Night-People)


Very catchy pops from Portland-area flowerheads. Been waiting on this one because Raf and Alex's other catchy pops band The Woolen Men are one of my favorites. Can't ever really complain too much about anything Night-People does, on any level. Pretty, kiwi-style girl vocals, shiny keys, jangly gits, punchy drums, great songs; another solid release for NP's already sterling pop/garage/rock catalog. "Satellite" is my favorite track, I think. Again, this shit is straight pop and can get a little cutesy with the very girly vocals but sometimes that's a really nice thing, I guess. Apparently they have another tape that came out on Eggy awhile back but I don't think I knew these kids back then so I didn't get one. If you like this definitely check out The Woolen Men (no girls, sadly) who have an LP on the way from Woodsist sooner/later this year. If you really didn't already know, go visit Night-People.

BEBE FANG - "s/t" c32 (Night-People)


Bebe Fang are a very promising new Dutch duo, who share members with recent Night-People alumni, Eklin.Bebe Fang creates a fairly similar universe, with their cavernous percussion, glacial atmospherics, and some rather haunting, yet, mesmerizing vocal pairing.Their music is completely free of specific genre, and they never cover the same ground twice.Their subtle movements are constantly evolving and taking a new form, like an icicle patiently melting into a puddle on the warm ground, then evaporating to start again.The first few minutes of side A brings a dark and unsettling swell, falling somewhere between 1970's horror soundtrack and hypnotic drone.A desperate and breathy female voice floats atop a translucent bass line, like some kind of bluesy apparition.The steady thudding of a singular drum creeps in, and things really start to bloom.By the end of side A, a deeply rhythmic seance is happening around you, and it's an all-consuming and otherworldly sound indeed.
Side B offers something fairly similar, beginning with a lengthy drone made up of scathing repetitions, howling wind, and the deep vibration of an underlying synth chord.It's not until "Dirt" that their ambient exploration really begins to shine, with a dense and distant pounding, not unlike that of a heartbeat, and an uneasy male voice gliding over miniature guitar and bass intertwining.Things close with a choir-like tune, called "Light", a short vocal workout that really shows what their voices are capable of, and a perfect exit to their other-wordly beauty.Highly recommended headphone listening.Checkout Eklin's "Onwa" cassette, too.Get both from Night-People.

EKLIN - "Onwa" c45 (Night-People, 2011)


Yet another total winner from Shawn Reed's Night-People imprint.This one is a real gem, too.Eklin is a fairly new Dutch band, and their newest opus, Onwa, is a much needed breath of VERY fresh air.They are completely unique in style, and it's almost impossible to pinpoint any of their musical influences.They've got this really ethereal, cavernous vibe going, sounding completely natural and organic almost always, with very minimal instrumentation, leaning heavily on they rich beauty of singer Lo's soaring vocal arrangements.Her voice is just incredible.Eklin are an absolutely perfect machine when it comes to the rhythm section, with tightly syncopated percussion doing most of the work, with deep pocket grooves, and more then enough kraut-like pounding.and light and airy guitar flourishes that trickle down into the tiny cracks.Icy blue synths flow in and out of the songs smoothly, sounding like they're underwater and rising to the surface, if only to accompany the howling breeze that is Lo's voice.There is little to no contrast here on any front, and Onwa is anything but contrived.Some parts of Onwa are similar to the primitive minimalism of Gang Gang Dance, but even that comparison doesn't do this justice.Eklin are definitely doing something painfully unique and fresh, and this amazing cassette is worth every penny.Expect plenty of chills.Get it from Night-People.