Monday, August 27, 2007


GOO (the initials say a lot) is the duo of Matthew Reis (head of Epicene/ ESR, Teeth Collection, etc.) and Josh Fink (Plasmic Formations, etc.), who have also collaborated on projects like Kvlt of Unicron, Ex-Yes, Collapse and Antennae Boy. Whew! Ghost of Obtuse professes a liking for Aufgehoben on this collection, and one can see the similarities in their open improvisation, but this is dirtier. It seems fitting to describe GOO as a "band" rather than two gearheads jamming. There's a real dialogue between the acoustic drums and percussion (being processed real-time through warped and distorted effects) and the banks of synthesizers and electronics. The second track on side two (there are four untitled tracks altogether) is sans beats but crammed with enough insane bleepage to satisfy a diehard synth freak. Not that the rest is exactly rhythmic- whatever the drums are going through, they're more like depth charges. Slow and crumbling 4/4 thuds on the A-side opener are interspersed with high-pitched squalor until the whole thing congeals into a menacing, thundering wall. Anyone familiar with collaborations between Hive Mind and Mammal might recognize a similar feel, except Ghost of Obtuse prefers to change directions frequently and without warning. The only objection here is that a c30 just isn't enough to contain all the possibilities suggested from these excerpts, a few of which are mercilessly cut off by the end of the reel. Ghost of Obtuse full length? Damn, I hope so.