Somehow this recent slab sent in from Seagull's Michael Piercey became unfairly buried in the "already reviewed" pile and so did not appear in the most recent column (which is solely comprised of a ton of reviews to make up for my absence on the 'Gods blog). Just as well, because this piece absolutely kills and so deserves a little extra shine on its lonely.
Seagull recently appeared on the second volume of Sam McKinlay's excellent Lake Shark Harsh Noise compilations. Whereas that track ("The Heart Lies Dormant Against All Who Come For It") had a brutal mid-range heft, this second edition of "From Grass and Earth" is considerably more sadistic on the ears. Scalding sheets of high-pitched hiss and feedback are the main attraction here, particularly on Side A. That might not seem rare in harsh noise, but the particular way Seagull pulls it off is kind of refreshing in a scene of mostly low-end crunch worshippers. Characteristically, "From Grass and Earth" owes more to older Japanese artists like Pain Jerk than Canadian contemporaries like The Rita. It's "dirty" noise that ignores the usual defined, crumbling textures of the wall style in favor of greasy machine overload. At the same time, the layers congeal, separate and rub against each other to create an atmosphere of ghostly subtleties and unexpected harmony.
All in all, a perfect noise tape. Could have sworn this duo had a Myspace page at some point but now I can't find it. Seagull's own label is listed below in all its mailorder-ready glory. I suggest you visit and purchase this item and other merchandises and support the tenure of High Canadian Noise, long may it reign.
www.smokefilledcasket.com