CHARLIE MCALISTER - "COLD WAVES" - C30 - (SPACE CULT)
if you plunder your resources both electronically & in print, from the last couple decades you may find some words here and there throughout the sub-underground about the crazed madman antics of one c. mcalister. its the stuff that legends are born from, or so it seems. since the mid 1980s up until present day charlie has been constantly churning out his own brand of what-have-you glory on many a micro-label and beyond. his discography could fill a gin tub, with upwards of 80 or so tapes, records, cds, books, videos, jars of sauce, experiments...not to mention drawings, paintings, performances, etc. etc.
he smears and blows spontaneous creative juices like a rabid dog, and throughout the years he never seems to falter, constantly re-arranging his art. many seem to dub his music "folk" - which is accurate if you take it in the sense of storysongs by and for the people. if there was still a real sense of oral tradition these days, the bog man could rival john henry. its true his mainstay of instrument choices usually consist of the banjo, acoustic guitar, violin, etc...but they seem either handcrafted or inflicted with dry rot. what mcalister does exceptionally well is deconstruct pop melody and craft his own self described psych dixie music. and it dosent end there...the influences are vast, and often times change from release to release.
mcalister also compiles from time to time works of sound collage, and cold waves is one such release.
the thing about this release is, although new, if you have been following his output - this thing has seen the light of day at least three times over the years. cold waves keeps cropping up. it leads me to belive this album has been in a constant state of flux. additions and subtractions. new cover images replace the old, which still seem to bleed through on the xerox. previous track listings scrawled over. new catalog numbers...
well it seems that it has reached some sort of apex with charlie dubbing it under his new label moniker space cult (previously tar owl / previously flannel banjo) - and what you get is a wild ride shifting spasticly all over many terrains. re-worked audio detritus. hypnotic rhythms from which no samplers were used. everything is as organic as dirt. skipping records made from various household ingredients being applied, and actually occasionally being constructed of said ingredients. meat, asbestos, wood, metal. interlaced are the sounds of horns, organs, steel drum, boxes and cans. you name it. both brooding and soothing.
and quite different from other mcalister releases. it may have taken four or five years for this cassette to become fully realized, but it has been well worth the wait.
my suggestion : reach on into that satchel, pull out a few clams, put them in an envelope, and mail it off into
the abyss. in a fortnight you are sure to receive a mangled manila envelope full of sweat and goodness.
C. MCALISTER : PO BOX 20095 / CHARLESTON, SC / 29413
and if you are feeling like frying plenty of past releases are still available if you know where to look.
i would recommend starting with : DOORMAT TX, UNREAD, LITTLE MAFIA & TICK-TOCK.
HARTLEY C WHITE "Run the Gauntlet" c60? (Whopazootic Music, 1991/99)
Hartley C White's body of recordings is like a hug in the face -- it's pretty alarming to jump into this music, with its ultradeveloped internal language of martial-arts-inspired snare rhythms, extreme-front multitracked vocals, keyboard bass & dissonant-consonant treble attractions. "Who-pa-zoo-tics": it's a cold pool at first but you can really, really swim in it.
Hartley's freaked out about various salient factors of modern existence but this album isn't a political treatise or anything. It's more like a series of extremely funky martial arts exercises inflected with an existential politics. The music is challenging but not in the ways I think listeners are used to being challenged. The production & arrangements are slick and clear and definitely not hard on the ears. These are nakedly, blatantly good songs, unencumbered by their complex rhythms & strange forms. What's challenging is being with this guy as he puts himself in the danger zone -- White is on the edge of himself.
"The mode of operation isn't hard to see, it can be put to work on you or me." Recorded in 1991, Run the Gauntlet is only the first of 4 albums White's released. His latest Under the Radar was released this year and it expands his already huge world even more. Check out his myspace here to hear samples, get in touch and find out how to order his music. As far as I know all of his albums have been self-released w/ gorgeous art and extensive liner notes / photographs etc. from White's Corona NY "Whopazootic Music" label, and it looks like they are also available as downloads -- support this guy and his amazing music!
PC WORSHIP - "Millenial Kreephaus" c26 (Night People)
PC Worship is back with a boggling new cassette, that is sure to turn our brains into a glowing pink syrupy substance.Millenial Kreephaus is the name of this tiny box of magic.The always exploratory Justin Frye has somehow found time in between his work with the awesome Gary War, and his own mysterious Teeth Mountain ventures, to conjure up twenty six minutes of new fear and wonder.His music is always of a different breed, never really falling into any particular genre, but for "psychedelic" territories.Those of you who were lucky enough to catch the ultra-mesmerizing Dune of Heroin release, and soaked in it, are in for quite a treat.
There's still a fair amount of cave-folk strumming, weird chords stretch out into breezy oblivion without any warning, and return as something completely different.Acoustic guitar fragments chip away and float out to space, and just when you had forgotten about them, they slowly resurface as woozy saxophone squeal.This music relies on blind chance, but doesn't seem to linger in the "jammy" hot zones long enough to get burnt.
Frye's influences are tough to pin, based on his songwriting anyway.His tunes are loose, sprawling jaunts, and rarely end up in the same place that they started.His tortured-yet-tuneful howl soars high above the cluttered instrumentation, with a slight echo treatment that bounces it in every direction.Now, this isn't all noisy freak outs and Jandekian improvisation abuse.Frye tends to discover a pleasant lull in a song, and attach himself to it for a somewhat lengthy run.Gentle guitar drones fill the air with a sweet,light green haze, and it's quite refreshing indeed.Thing shards of melodic beauty float around and pop like tiny bubbles, and there is a low bass tone swelling off in the distance.It's quite a breathe of fresh air.
Underneath all of the fuzz and rhythmic clutter, there lies a collection of songs, and if you listen close enough you will hear them flourish.It's time to battle your short attention span, and commit to the long haul, because the payoff is BIG, both musically and aesthetically.
Get this, and other plastic gems from NIGHT PEOPLE.
EMA - "Little Sketches on Tape" c32 (Night People)
This was kind of a nice surprise.It's hard to tell what you might be getting into with a new Night People release, but it's always sure to be fresh and inventive music nonetheless.EMA's newest offering, a 32 minute cassette entitled "Little Sketches on Tape" is just that.Erika Anderson, formerly of the dreamy avant-folk act- Gowns, gives us a beautiful and mysterious cut and paste tape collage.The entire album is made up of completely spontaneous clips of hazy vocal play, fragments of lullabies and soft-spoken poetic charm.The guitars are chopped into a million pieces and given out a bit at a time, notes always bending upward and outward, and disappearing into thin air before an actual chord is constructed.Lush piano strides are thrown in at random and play only a tiny role in this, but add to her woozy melodies quite nicely.Hints of folk and early jazz make their rounds,but no more than to nudge your brain a bit either way,if only for a split second.
These songs possess a heap of charm, a cleverness that lies in the fact that you never really hear a complete "song", in the traditional sense anyway.The polite rush of anticipation and wonder you get from this as a whole, is more than enough to carry it's weight.This is a heartfelt, and deeply personal project,and I really hope we get to hear more from her.Stunning.
Get it from Night People.
PETE SWANSON "Ghost O Clock" c20 [No Label]
Excellent self-released tape from Pete Swanson, formerly known as 1/2 of the Yellow Swans, with a spoo-oo-ooky title perfect for this Halloweekend. I've seen Pete play a couple times solo and he always rules but the first time I saw him was my favorite. He had his trunkload of gear set up per usual but through the performance the dude was just rockin' out, singing his song like the punkest noise dude in history. Anyway, the two side long pieces here are close to that territory. A smidge more mellow than said live set, the darkened cloud of noise on "Side A" features Pete's guitar strums and occasional vocals at its heart with a dusky outer coating. Really great track.The flip side is an even better storm. The song bleeds through more and Pete layers a number of great guitar leads into the swarm. I love that the tape sounds smeary but not without definition. The chords cascade into each other seemingly in haphazard fashion but they all fit into the grand sleepy scheme. The tape sounds great at any hour but it's best at Ghost O Clock.
There's not much that really needs to be said about this; Swanson has been making fantastic music for nearly a decade now and his train keeps on rolling. If you haven't heard any of his solo work yet I highly recommend tracking this cassette down.
Also check out his LP Where I Was for a sampler of Pete's series of tapes over the past year or two.
SLEEP OVER - "S/T" c20 (Night People)
Wow.Such a pleasant surprise, from front to back.Christa Palazzolo, Sarah Brown, and Stefanie Franciotti make up the wonderful Sleep Over.They are a fairly new act, hailing from Austin,TX.You might remember them from the "Dark As Night" tape compilation on Bathetic last year, in which they had two dreamy tracks to contribute, "The Key" and "Your World is Night".They have since returned with a release of their own, a dazzling new cassette for the Night People label.
On their new twenty minute cassette, these three Austin future-witches cast a heavily sedated dream-spell on some fairly intense and dynamic minimalism and reinvent the somewhat exhausting of shoegaze altogether.Their lush and endless layers of vocal harmonies run so insanely deep, they could easily pull this off all on their own.But with the help of some rather ethereal synthesizer grouping, and dense machine-drums gently pounding away slow as molasses, they build up giant walls made up of black magic and breezy melodies, turning your brains to a pink sparkling liquid in the process.Psychedelic pop beautifully smothered in pagan ritual chants and drug-addled mind power, at it's finest.
Fans of early Cocteau Twins, Lush, and the current "witch haus" movement that includes Salem, oOoOO, and SURVIVIVE will surely melt right into this mysterious three piece.They are way ahead of the pack,that's for sure.I can't say enough good things about this.Get it before it's gone.New releases are in the works.
Get it from now from Night People.
EAGLE CHALICE "Let's Float" c20 (Hidden Fortress Tapes)

Another two sider. Who'da thunk? A two sided tape!
First side feels a little too together. The parts are there and anyone with ears can discern the wah-pegiated synth from the bell tones but for me it feels a little phoned-in, like it's mood music or a keyboard preset demonstrating a sequencing effect on a new model. In particular the drum sounds really feel like the 'rock' setting just slowed down which makes it difficult for me as a listener to feel the agency in the music. Other folks might have an easier time just sitting back, untying their shoes and letting themselves drift and float.
The second side was a whole other slice of banana bread. The entire tone is way more suggestive and subtle. The minimalism gives each component more strength by demanding more out of it. A bit darker but definitely not approach cold or goth it still has the 'floating' vibe hoped for in the title but this trip feels a bit more unknown and tenative lending itself to a sense of adventure and discovery whereas the first side feels content to sit on the 'new-age' surfboard and cruise the clouds.
Well done art / layout and just because i'm less of a 'chiller' may mean other folks will have the exact opposite feelings. It's nice though. TWO SIDES for real!
Released by the very likable Hidden Fortress Tapes
http://hiddenfortresstapes.blogspot.com/
ENDAHL/KHOURY/RIGGS "Average Handle Time" c11 (Detroit Improvisation)

This tape, featuring the names of the players instead of band name, features a short piece per side, clocking in at 5 and a half minutes each. It's like a tape version of a seven inch; the opposite of a mp3 download code. Each of the people involved have their instrument listed : guitar, violin, piano. And that's what you hear.
It feels slightly unusual to have such a transparent release! There is a 'traditional' feel to the electro/acoustic improv vibe here, none of the instruments travel too far outside of their standard range or palette but there is a definite comfort in the approach and the relationships. The guitarist (Chris Riggs) sits back for most of the first side and on the second side wobbles a low end almost-drone that gives the pianist (Matt Endahl) and violinist (Mike Khoury) plenty of room to start and stop, bob and weave and otherwise make the most of their brief sides.
Nice, simple (in form) release, from the black and white art to the attention given to the instrumentation.
No label site:
Email: Entropystereo@yahoo.com
Distro: http://www.tomentosarecords.com/selfnoooo.html
XIPHIIDAE "Science Everywhere" c45 (Housecraft)
The alias of Housecraft label owner Jeffry Astin, known as Xiphiidae, is a project subject to change direction with every subsequent release. At times, Astin will focus a tape on bowed guitar mantras, or sometimes a tape will be based on lush field recordings and found sound. In the case of Science Everywhere, Astin provides a pretty unfamiliar sound in comparison to what I've heard: here we have 45 minutes of hypnotic, fractured, and heavily percussion-based soundscapes, with the occasional incorporation of the warm guitar textures that are instantly recognizable with prior knowledge of Xiphiidae's past releases. Though carried out for this length, this new direction never spreads itself thin; certain movements emphasize cut-up, warbled tape edits while others sport more definable rhythms. The most fascinating aspect of Science Everywhere is how the sounds at hand are utilized: they're taken out of the context of their original recording and put in a completely new foundation, from musique concreté clatter to brooding tribal percussion. Sporadic, colorful and entrancing-- it's a bold yet refreshing change of pace.
This tape is sold out at the Housecraft site, but I would keep my eye out on the usual distros: Tomentosa, Discriminate, or Amethyst Sunset.
This tape is sold out at the Housecraft site, but I would keep my eye out on the usual distros: Tomentosa, Discriminate, or Amethyst Sunset.
ANGEL OLSEN - "Strange Cacti" C24 (reissue) (Bathetic)
Bathetic Tapes is pretty well known for their unique, genre-bending roster, and each time i buy a new tape from them,i can be sure are sure that it will be completely different than the last.The majority of their releases have been deeeeep lo-fi/bedroom pop,rock, and drone projects.With the release of Strange Cacti, they take a dip into more the stripped down, affected folk-hymns of a beautiful singer/songwriter named Angel Olsen.These six new songs are some of the most passionate, honest, and well written folk tunes that I've had the pleasure of hearing.
At first glance, you may hear something in the arena of Joni Mitchell's steady strumming and affectionate voice.In fact, there are elements of just about all the more obvious names in classic folk music, Melanie, Joan Baez, and even hints of Nico's deep and haunting croon makes it's way into her songwriting.Olsen sprinkles her own glittery magic over these heartfelt songs, and her insane vocal range is her secret weapon.Olsen's powerful,yet somber voice flutters around her gracious and confident strumming, and the two often intertwine to deliver deep, hair raising chords.Everything here is clean,untreated and her music doesn't rely on drowning in effects and studio trickery.There is a bit of chorus and reverb added to her voice,and it accents her wild pitch control very nicely.
Strange Cacti is a deeply personal album, but the songs leave plenty of room to insert your own story into their warm,heady vibes.It's full of heart wrenching howls, thick chord progressions, and just plain good songwriting.I can't wait to hear more from her very soon.Comes on solid white pro-printed, and dubbed cassettes with printed black and white photo j-card.
Get it from Bathetic
WONDER WHEEL "Natural Selection" C60 (Hobocult Records)

"Natural Selection" is a collection of recordings Paul A Rosales made over the years with some help from Ines Navarro & R Stevie Moore. If Brian Wilson had to "struggle at the piano" for weeks to emulate the ocean's tide & enormity on "Til I Die," Paul seems naturally inclined to make motor music. About half of these songs are actually cars or buses motoring along, & about half are more varied & sideways.
The cars are all unique but they're all built to drive: bass, crushed & specific drums, what sounds like two synth parts (one frothy lead & one more playing against it, maybe played at the same time), occasional support guitar. Paul sings from a pretty limited "melodic palette" that keeps the wheels on the ground, sometimes like early-Bats-style Robert Scott, but this is not the early Bats. The locomotive attitude of these songs works really well to create wide open spaces where intuitive bass playing, perfect-simple drums & well-placed synthesizer parts can frame Paul's vocals. "Future Home" is a great car.
But even the songs that play it straight get weird. Try to count beats in "Bedtime" -- whoa! "Algebra Problem" has a jazz thing. One of the most exciting songs on the album, "Thirteen" is structured over a super hot ascending synth line, like: short searing guitar solo / Ron House-ish vocal verse / short searing guitar solo / verse / etc. "Sleep" is another highlight: ideal mystery TV, erotic dream vocals. "TV Screen" builds in speed toward some wrong vocals & UFO chord changes.
OK you get it. Hey, check out this video of Paul's song "Crimes." Hobocult says "Natural Selection" is out of print but you might be able to get a copy from Paul (myspace here), who has a bunch of other music out, including some you can download from his blog.
KENNETH JOHN GILMORE - "Anina" cassingle c6 (Discotheque Records)
you might have seen Ken, Kenny, Kenneth Gilmore's live hands moving from guitar to creepy synthesizer & back in Ariel Pink's Haunted Graffiti. did he come up with that added riff in their cover of "Bright Lit Blue Skies?" anyway, Anina's not on the stage but in the studio, in that kind of vague, Surf's Up-era Beach Boys studio where all things technical are so assured that there's room for the weirdest pitch mysteries & dissonant consonances. "Anina" is a really subtle song. as its parts repeat & develop, Gilmore tries out different guitar phrasings, and leaves behind incredibly attractive hooks that the song could be about. the end result is a confident lounge vibe that fades out after all the "band members" each have their moment to shine. Gilmore really plays like he's different people, and maybe he is.
the b-side "Thick Leaves" is a kind of stunted jam, with a great-because-too-quiet synth/organ lead melody playing coy as a nasty piano bass & drum machine rhythm section chug along. Gilmore doot-doots along like he's conducting the band. water sounds, sniffs, coughs, room and street sounds: sounds of real life filter in not really as "part of the noise" but as if the track is scoring an invisible movie.
great cassingle. hopefully this guy records more because his writing and playing are exciting. this was also the inaugural release on Dischotheque (think they're up to DTQ003 now), who are already MVPs in the cassette mansion.
go to discotheque records' website for a preview of the main event.
LUKE PERRY - "Brainwave's Rerun Crunch" c62 (El Tule)
I received a mysterious little package in my mailbox the other day, addressed from psych/electronic super dude Mr.Dylan Ettinger.I didn't really know what to expect from him, other than some kind of bizarre cassette tape.I opened it up and removed it's contents, and sure enough, I pull out a tape with a dream-inducing (or nightmare) image of Luke Perry with some colorful psychedelic images surrounding him.Naturally,I inspect the packaging to see what kind of goodies are inside.A hot pink tape with a sticker containing a black and white image on it.That image is none other than a scene from The Simpsons episode that Luke Perry was in.Nice.I popped the tape in my player,took a seat, and anxiously waited for the fun to begin.
Almost immediately, the speakers started to pour out a glowing, neon pink and green colored ooze that reeked of 90's TV nostalgia.Blazing guitar shred,new wave synth arpeggios,and boppin' drum machines by the truckload.Parts of this sounds like scenes from Saved By The Bell, when "the gang" enters The Max.Images of nerds playing video games, and jocks sitting with their chairs turned around started to flash in my mind.As things moved forward, a more diverse,even psychedelic tone sets in.Washes of delayed surf guitars fade in and out, and some heavily treated 90210,and other television show samples bounce around a bit.It all seems to work somehow,and it held my attention right to the end. The instrumentation, though somewhat humorous up front, is actually well played and the songs are structured quite nicely.They are really catchy jams,and I wish that they were just a tiny bit longer.
At some point throughout side A, you will come across a disturbingly perfect cover of the Beverly Hills"90210 theme song.Complete with keyboard-sax solo.Much respect to this dude for accuracy.Overall a totally fun and somewhat interesting listen.Worth the 5 bucks it costs from El Tule for sure.He's got a split cassette with the awesome Twins called "Guts".You can pick that up
from Peace Age for 5 bucks as well.HEAVY on the 90's retro tip,but when it comes to the music..solid electro-psych-pop bliss.h
Hit up El Tule for a copy,and more awesome tapes.
DOVE "2004 LP " c35 (Financial Ruin)
If you are a Florida native, or in tune with their local d.i.y. punk scene in the last 5-10 years,you more than likely worship Floor,who also share members with Dove and a few other more recent projects like I Love You.This monster of a 3 piece hail from a little place called Winter Haven,Fl.They've been areound for quit a while, but their output is rather small and selective,with only a handful of singles,and LP's under their belt.But,when Dove actually gets a release out there,they always deliver in a BIG way. This tape is a reissue of their 2004 self-titled LP,and also includes two bonus tracks, one being their side of the Floor/Dove split 7".
This album is quite a vicious beast.Long time fans know what they are in for,but new ears are going to be pummeled.Dove don't seem to stray too far off from their counterpart -Floor,delivering heavy-as-bricks rhythms, pounding drum assault,and syrupy vocal hymns to top it all off.The walls of sludgy guitars and low end bass dirge are definitely reminiscent to bands like Sleep, High on Fire, Cavity, and Torche.At times you would think that you are listening to a five piece band,with at least 3 axes locking up on these thick and brutal riffs, when it's actually just one bass,guitar and drum kit doing the work.The songs are well crafted,and these guys don't seem to rely on just being as heavy as possible, to mask an album's worth of mediocrity.An all too common trait in this genre.Dove does just the opposite in fact.The songs are catchy,moody,and worth a ton of repeat listening.A great batch of tunes from a band that absolutely deserves more attention.Comes in a cardboard box,with Electric Warrior knockoff artwork,full color j-card with lyrics,and a sticker or two.Amazing.
Get the tape,or lp from Financial Ruin - Dan is a good dude.
BIRTHDAYS - "Hawaiian Punch Wave" c30 (Impose Cassette Series)

A decidedly less danceable affair than his live set I caught last night, Birthdays' Hawaiian Punch Wave tape is a nice little exercise in looped keyboards and sampler pounding. Birthdays is Samuel Yager, originally from New York, currently residing in Boston. Compositions build slowly as he mans flashing buttons and knobs, sometimes aging from lowkey blip-grooves into full-grown bedroom house jams, sometimes into slower pieces of pounding sludge.
Hawaiian Punch Wave is out now. CLICK HERE to order and preview MP3s.
CASCADERS - "ST" c24 (The Curatorial Club)

A subtle, spacious journey through "modern living in urban society," Cascaders' debut tape is a slow-motion grind through what it feels like to be an animal in a world defined by machines and screeching steel. Shards of light protrude through darker, hypnotic segments, brightening up patches of otherwise low-humming ambience. This provides a soundtrack perfect for background conversation swells, thoughtful late-night wanderings and sunlit day beginnings.
Cascaders is Jamie Granato from Men & Women. He also co-founded the Group Tightener label. The tape is SOLD OUT but you an download it for free courtesy of the label RIGHT HERE.
HANGING COFFINS - "self titled" cassette C40 (Night People)
As with most other NP releases,this cassettes was heavy on the eye and ear candy indeed.I'd heard a bit of kind words about these cats from a few friends in CA,and they were absolutely right.This tape rules.If dark and gloomy post-punk/downer pop is your thing,you will be flipping this one over and over.Murky guitar jabs and distant noodling paired with the icy organs and synth jaunts are reminiscent of The Animals lesser known explorations,and Chrome's clever eerie-but-accessible vibes,which won me over immediately.As things keep moving along,the Coffins take a dip into more distorted and treated vocal territories,and more of a raw approach with the rhythm section.A definite Six Finger Satellite influence is there,only they trade the overflow of dementia for a touch of melody.Some of the jams do get strange and wander off into nothingness for awhile,but for the most part this album is a cohesive,dark,and interesting listen.Look for 2 new releases from these guys,soon.
Most likely out of print by now,but DNT or Fusetron may still carry it.I would try the label first.Worth searching high and low.
NIGHT PEOPLE
SECRET BOYFRIEND: “End This Thrall” c45 (Hot Releases)
Really pleasantly surprised by this one, didn’t know much at all about Ryan Martin or his North Carolina-based Hot Releases label for a long time, but this one has definitely got me jumping on the wagon. This shit goes all over the place, dense drone, power electronics, clanking scrap metal, drum-machine driven Suicide-style guitar jammers, and even hushed acoustic ballads, this one has got it all, and it seamlessly flows from one to the next. Martin is proficient in all aspects, recording, playing (“noise dude” that actually knows how to play guitar!) and killer collage-style artwork. Totally engrossing and eclectic, can’t say enough good things about this, a musician after my own heart, excited to hear a proper full-length because I can guarantee it’s gonna be massive.http://www.hot-releases.org/
PALM YARD: “Craft Night” c37 (1019 records)
Gotta admit, I’m still not entriely sure what these new genre terms such as “chillwave” and “shitgaze” mean exactly, but this band really wants you to know that they make music of the latter and that they are from Santa Cruz and they love it. Hats off to that kind of hard reppin’, for sure, but what I assume they mean is they play new-style punk music and they record it as super lo-fi as possible, because that sure as heck is what it is. Fans of Psychedelic Horseshit and early Wavves (“early”, jeez, that sounds stupid, that guy is like 12 years old) should take note of this trio; although these 11 songs are far less aggressive than those examples, this has a slight 80s midwest, post-punk sound bubbling under the surface of all that tape hiss. With titles like “Eat the Rich” and “Purple Haze”, you know these guys are California dreamin’, surf style without really having a surf sound. Or is there a new surf sound? Whatever, grab your board anyways, tide is high. Edition of 100, xeroxed inserts and gold spraypainted tapes.http://palmyard.bandcamp.com/
MISTER FUCKHEAD: “And Company” c93 (no label)
Holy shit, are you kidding me? 93 minutes??? I can’t lie, call me unfair, call me a bad reviewer, call me whatever you like, but I had to fast forward through at least some of this, there was no way I’d be able to sample the whole thing otherwise. Mister Fuckhead is the guise of Arvo Zylo, inhabitant of Chicago and, at least here, organizer of wingnuts. Assumedly recorded at a number of live performances (insert is incredibly difficult to read), Zylo collected his friends together to squawk and squeal on a vast number of untraditional instruments ranging from tape loops and trigger pads to scrap metal and appliances. There’s also a good deal of brass, and some slick backing drums keeping it all together, and it actually makes a pretty exciting sound, big group just going bananas. I can imagine it being a really great live show, or even if these recordings were spread out over a couple of different releases to make the whole thing more palatable, because they really do have quite a bit of merit to them, but this kind of length is pretty difficult to slog through no matter who’s making the music. Pretty sure this is sold out, but there are a bunch of samples and new items on his bloggy-blog.http://nopartofit.blogspot.com/
EXPO 70: “The Vanishing World Within” c40 (Solid Melts)
Some really killer synthesizing on this one, divided into phases, the first side almost scary in it’s 80s horror/sci-fi environments, starting with a nice drone and fading into a more complex structure with deep, pulsing bass that reminds me of the soundtrack from “the Thing”. This eventually moves into “Phase III”, a prog-jammer with drums and guitar, real groovy space boogie. Side two is a little more universally similar, the phases harder to pick apart as they drift in and out of one another, carried for a long time in the middle by a classic drum machine egg-shaker sound. Real calming, enjoyable textures, excellent artwork by Mr. Expo himself, Justin Wright, who keeps a great ongoing theme of reflecting images of instruments and space shapes on all his covers. At a time when bands like Emeralds and Oneohtrix Point Never are so popular, I’m surprised that this is a name that doesn’t come up more often. First edition of 150 is sold out, second edition of 100 probably won’t be around too much longer either, but the dude has a massive discography, lots of places to hear his righteous psychediddlea.http://www.myspace.com/expo70
http://solidmelts.com/
THE PHEROMOANS - C26 (Night People)
Yet another awesome cassette tape from Iowa's NIGHT PEOPLE label.This is a great one,too.The U.K.'s PHEROMOANS are making quite a glorious racket this year.They've had a handful of releases on various labels like Sweet Rot,Hozac,Night People,Convulsive,and even the young Aural Pleasures imprint.Their sound is a primitive clatter.Rules and regulations don't apply to this.Nor does the word "cohesive".This tape is 28 minutes of angular,bare bones garage-punk at it's finest.So pure and uninhibited.This reminds me of Door and the Window's quicker moments,and The Shadow Ring in their most primal form.Heavy on treble and easy on the studio tricks.Their charm lies in the fact that there is absolutely no production value,whatsoever.
With Pheromoans,what you see isn't exactly what you get,but what you hear is exactly what is being played.It's hard to tell whether or not some of these tracks are live or being recorded in a tin can full of glass.Angular guitars play slightly out of tune,as the drum kit falls apart around them.The punk-turned-poet vocal warbling is not unlike that of Mr. Mark E. Smith's (pre-football announcer), but less coherent and way more spiteful.This band is sharp and inventive,and they're output is insanely expansive.Pheromoans are owning 2010's lo-fi art-punk resurgence.Goooood shite.A new LP is out soon on Convulsive, and a cassette/cdr reissue of their oop 2007 cd-r is out now via Aural Pleasures
See Night People for the tape.
HAPPY JAWBONE FAMILY BAND "Family Matters" c76 [Spooky Town]
If you haven't heard Happy Jawbone Family Band, you've got some work to do. This band is really damn good, I give them my "Best New Band" Grammy or whatever that award is. Apparently, HJFB is a bunch of people who either live in Brattleboro, VT or Boulder, Colorado and they somehow form like Voltron to make the most arresting, ramshackle, brilliant pop music I've heard in a while. Calling out all the great tracks is kinda pointless here as there's pretty much no filler in the 40 songs/76 minutes. They're all great tracks!I described the tape to a friend as kinda like Hairdryer Peace made by a ragged pop band. The tape is so well put together stitching songs of all varieties of styles and instrumentation along with a few well-made collage pieces. Family Matters flies by exceeding fast for such a long release. This cassette earns its 76 minutes, which is big praise from a c30-or-less enthusiast. I feel really long tapes should be saved for special occasions and this is a special occasion.
The jerks even interrupt my favorite song on the tape with a Wu-Tang-ish skit that takes up more time than the song does but I can't help but love them anyway. Admittedly, the skit is pretty funny.
The tape is obviously the product a bunch of really talented, creative people as there's some really cool aspects here rarely found in lo-fi pop music. For instance, the band is fairly self-referential throughout the tape but the b-side opens with "The Album So Far..." a neat collage, squeezing the past 30 some minutes into one. It's plainly a cool track but it's also funny to see them giving a little wink that this record is so long you need a refresher of what you've heard before you can continue.
Anyhow, this is great. Hooks galore, a constant stream of surprises, a ton of replay value etc. etc. Totally essential, one of the best tapes of the year.
BUY THIS MOTHERFUCKER RIGHT NOW
Happy Jawbone myspace
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