"ILJLAGCGD" finds BOTMS in a full frontal freak-out sesh for 23:06 straight, with the ghost-sheddings of Tony Conrad’s shredded horsehairs littered about the ground, obscuring notes & manifestos inspired by Glenn Branca and Jesus “Dada" Christ, herself.
“The Giddy Limit”, in juxtaposition, proves a tamer companion-piece/antidote for the previous album’s unrestrained mania. All the discordant drones, mumbly-rambled lamentations and guitar-as-percussive-forces are still present, just slowed & stretched out. Still distilled chaos, just now with a li’l less desperation.
and/or
-- Jacob An Kittenplan
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